"Fame - anyone who says he doesn't like it is crazy"
About this Quote
Fame, in Bennett Cerf's hands, isn’t a shimmering prize so much as an embarrassing truth serum. The dash does the heavy lifting: a quick swivel from the abstract noun to the blunt verdict, like a raconteur leaning across a dinner table to puncture everyone’s polite moralizing. Cerf isn’t mounting a case for celebrity; he’s mocking the performance of not wanting it. Calling the denier “crazy” is deliberately overbroad, a comic exaggeration that frames anti-fame posture as a kind of self-deception more than a principled stance.
The subtext is about American media modernity, the moment when newspapers, radio, and mass publishing made attention feel like a measurable currency. Cerf, a journalist and publishing-world impresario, lived inside the machinery that manufactures public recognition. From that vantage point, “fame” isn’t mystical. It’s access, leverage, invitations, the presumption of interest. Saying you don’t like it starts to sound less like humility and more like strategy: the classic humblebrag before the applause.
There’s also a protective cynicism here. By insisting everyone wants fame, Cerf preempts disappointment and moral hypocrisy at once. If desire is universal, no one gets to claim special virtue for resisting it; if you’re wounded by not getting it, well, you’ve been caught wanting what you were pretending to scorn. The line works because it compresses a whole social diagnosis into a joke: attention is intoxicating, and pretending otherwise is its own kind of addiction.
The subtext is about American media modernity, the moment when newspapers, radio, and mass publishing made attention feel like a measurable currency. Cerf, a journalist and publishing-world impresario, lived inside the machinery that manufactures public recognition. From that vantage point, “fame” isn’t mystical. It’s access, leverage, invitations, the presumption of interest. Saying you don’t like it starts to sound less like humility and more like strategy: the classic humblebrag before the applause.
There’s also a protective cynicism here. By insisting everyone wants fame, Cerf preempts disappointment and moral hypocrisy at once. If desire is universal, no one gets to claim special virtue for resisting it; if you’re wounded by not getting it, well, you’ve been caught wanting what you were pretending to scorn. The line works because it compresses a whole social diagnosis into a joke: attention is intoxicating, and pretending otherwise is its own kind of addiction.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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