"Fame is only good for one thing - they will cash your check in a small town"
About this Quote
Capote’s line lands like a martini-dry punchline: fame, that supposedly priceless currency, buys you something comically low-rent. Not enlightenment, not immunity, not even love - just the small, petty convenience of being considered “good for it” by strangers who’d otherwise squint at your signature like it was counterfeit. The joke works because it shrinks celebrity down to its true market function: an instrument of trust that doesn’t actually require character.
Capote is also smuggling in a nastier truth about America’s social contract. In a “small town,” reputation is supposed to be intimate, earned through proximity and memory. Fame breaks that logic. It’s reputation without relationship, a pre-approved identity that travels. The check is a perfect prop: a promise on paper, a minor act of faith. Capote suggests celebrity turns that faith into a reflex, which is both absurd and slightly terrifying. If people will honor your name on a bank slip, what else will they let you get away with?
Context matters: Capote wasn’t merely observing fame; he was a craftsman of it. From the early literary wunderkind era to the society-circus of his Black and White Ball, he understood the transactional glamour economy from the inside. The line reads like self-knowledge with teeth - a warning and a boast in the same breath. Fame, in Capote’s telling, is not a halo. It’s a credit line.
Capote is also smuggling in a nastier truth about America’s social contract. In a “small town,” reputation is supposed to be intimate, earned through proximity and memory. Fame breaks that logic. It’s reputation without relationship, a pre-approved identity that travels. The check is a perfect prop: a promise on paper, a minor act of faith. Capote suggests celebrity turns that faith into a reflex, which is both absurd and slightly terrifying. If people will honor your name on a bank slip, what else will they let you get away with?
Context matters: Capote wasn’t merely observing fame; he was a craftsman of it. From the early literary wunderkind era to the society-circus of his Black and White Ball, he understood the transactional glamour economy from the inside. The line reads like self-knowledge with teeth - a warning and a boast in the same breath. Fame, in Capote’s telling, is not a halo. It’s a credit line.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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