"Family jokes, though rightly cursed by strangers, are the bond that keeps most families alive"
About this Quote
Benson nails the private electricity of family humor: it is, to outsiders, often unbearable, but to insiders it functions like a small, stubborn social glue. The line turns on that deliciously double-edged phrase, "rightly cursed by strangers". She grants the stranger their annoyance up front, preempting sentimentality. Family jokes are rarely funny in a portable way; they’re repetitive, overfamiliar, and thick with missing context. That’s precisely why they work.
The subtext is less about comedy than about membership. A family joke is an informal password, a shared archive compressed into a phrase or a look. Laughing isn’t just enjoying the punchline; it’s renewing the claim: I was there, I belong, I remember. Benson’s "bond" is almost biological, something that keeps the unit "alive" not because it’s virtuous, but because it’s practiced. In families where affection is complicated, jokes can do the emotional labor that direct speech can’t. You can tease without confessing; you can revisit pain without reopening it.
Context matters. Benson wrote in early 20th-century Britain, a culture that prized wit and restraint while tightening expectations around domestic life. Her sentence quietly resists the idea of the family as purely moral institution. It’s held together by small rituals, even petty ones, and by a kind of shared nonsense that looks like dysfunction from the outside. The barb is the point: what strangers "curse" is often what saves the insiders from silence.
The subtext is less about comedy than about membership. A family joke is an informal password, a shared archive compressed into a phrase or a look. Laughing isn’t just enjoying the punchline; it’s renewing the claim: I was there, I belong, I remember. Benson’s "bond" is almost biological, something that keeps the unit "alive" not because it’s virtuous, but because it’s practiced. In families where affection is complicated, jokes can do the emotional labor that direct speech can’t. You can tease without confessing; you can revisit pain without reopening it.
Context matters. Benson wrote in early 20th-century Britain, a culture that prized wit and restraint while tightening expectations around domestic life. Her sentence quietly resists the idea of the family as purely moral institution. It’s held together by small rituals, even petty ones, and by a kind of shared nonsense that looks like dysfunction from the outside. The barb is the point: what strangers "curse" is often what saves the insiders from silence.
Quote Details
| Topic | Family |
|---|---|
| Source | Help us find the source |
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