"Fascism is itself less 'ideological', in so far as it openly proclaims the principle of domination that is elsewhere concealed"
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Adorno’s jab lands because it reverses the usual moral story about politics: the danger isn’t only that fascism has a bad ideology, but that it dispenses with the polite fictions that let other systems feel virtuous. Calling fascism “less ideological” is deliberately perverse. Ideology, in his Frankfurt School sense, isn’t just a doctrine you profess; it’s the ambient haze that makes power look like nature, merit, or common sense. Fascism, he argues, is cruder in one way: it doesn’t bother pretending domination is anything but domination.
The subtext is a warning to liberals who treat fascism as an alien rupture. Adorno is saying: don’t congratulate yourself too quickly. If fascism is “open,” the “elsewhere concealed” is the more unsettling part - the everyday arrangements of hierarchy that hide behind neutrality (law, efficiency, tradition, “order,” even culture). Fascism becomes a kind of grotesque honesty, exposing the skeleton that polite society keeps dressed.
Context matters: Adorno is writing in the shadow of Nazi Germany and exile, alongside a broader critique of mass culture, authoritarian personality, and the ways capitalist modernity can prime people for obedience. The line carries his signature cynicism about enlightenment rationality: the same modern tools that promise emancipation can be repurposed to administer bodies and desires. Fascism, then, isn’t a medieval throwback; it’s a modern mode of rule that simply drops the euphemisms. That’s why the sentence bites: it forces the reader to locate fascism not only in uniforms and rallies, but in the everyday language that launders power into legitimacy.
The subtext is a warning to liberals who treat fascism as an alien rupture. Adorno is saying: don’t congratulate yourself too quickly. If fascism is “open,” the “elsewhere concealed” is the more unsettling part - the everyday arrangements of hierarchy that hide behind neutrality (law, efficiency, tradition, “order,” even culture). Fascism becomes a kind of grotesque honesty, exposing the skeleton that polite society keeps dressed.
Context matters: Adorno is writing in the shadow of Nazi Germany and exile, alongside a broader critique of mass culture, authoritarian personality, and the ways capitalist modernity can prime people for obedience. The line carries his signature cynicism about enlightenment rationality: the same modern tools that promise emancipation can be repurposed to administer bodies and desires. Fascism, then, isn’t a medieval throwback; it’s a modern mode of rule that simply drops the euphemisms. That’s why the sentence bites: it forces the reader to locate fascism not only in uniforms and rallies, but in the everyday language that launders power into legitimacy.
Quote Details
| Topic | Freedom |
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