Creativity Quote by Siobhan Fahey

“Fashion goes round in circles” lands like a shrug that doubles as a warning. Coming from Siobhan Fahey, a musician whose career spans the glossy synth-pop churn of the ’80s through decades of reinvention, it reads less like a cute proverb and more like hard-earned pattern recognition. Fashion isn’t a ladder in her telling; it’s a carousel. You don’t ascend toward some final, perfected look. You loop back, again and again, with new lighting and a different soundtrack.

The intent is deceptively simple: puncture the myth of “new.” Pop culture sells novelty as a moral virtue - if you’re current, you’re relevant; if you’re outdated, you’re disposable. Fahey’s line quietly sabotages that value system. If trends return on schedule, then the gatekeepers aren’t prophets; they’re traffic controllers. What gets framed as innovation is often just memory with better marketing.

The subtext is also about power and identity. Circles imply inevitability: you can resist a trend, but you can’t stop the machine that resurrects it. Yet there’s a sly freedom here too. If everything comes back, then “dated” stops being an insult and starts being a timing issue. For artists and fans alike, that’s permission to treat style as a personal archive rather than a relentless test.

Context matters: music scenes are fashion engines, and women in pop are judged for visible aging in brutal ways. A cyclical view of fashion pushes back against that cruelty. It suggests that what’s dismissed today will be celebrated tomorrow - and that the real trick is surviving long enough to watch the world change its mind.