"Fashion is something barbarous, for it produces innovation without reason and imitation without benefit"
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Santayana’s insult lands with the cool precision of someone who thinks modern life is a little too proud of its own restlessness. Calling fashion “barbarous” isn’t just name-calling; it’s a philosophical diagnosis. Barbarism, for him, is civilization’s nervous tic: motion without meaning, change mistaken for progress. Fashion becomes the perfect exhibit because it institutionalizes churn. It “produces innovation without reason” - novelty detached from necessity, invention severed from any real problem it solves. That’s not creativity; it’s a treadmill that keeps the industry, and the ego, from having to justify itself.
The second clause is the sharper twist: “imitation without benefit.” Fashion’s social power has always been imitation’s promise - dress like them, become legible to them. Santayana’s subtext is that this bargain is mostly counterfeit. You copy the silhouette, the brand, the signal, and gain little beyond temporary membership in a moving target. Even worse, imitation replaces judgment; you outsource taste to the crowd and call it self-expression.
Context matters: Santayana is writing out of a tradition skeptical of modernity’s cult of the new. In the early 20th century, mass production and advertising made style changes faster and more mandatory, less tied to craft or local custom. His line works because it treats fashion not as a frivolity but as a moral technology: a system that trains people to desire the unneeded and to conform in the name of individuality.
The second clause is the sharper twist: “imitation without benefit.” Fashion’s social power has always been imitation’s promise - dress like them, become legible to them. Santayana’s subtext is that this bargain is mostly counterfeit. You copy the silhouette, the brand, the signal, and gain little beyond temporary membership in a moving target. Even worse, imitation replaces judgment; you outsource taste to the crowd and call it self-expression.
Context matters: Santayana is writing out of a tradition skeptical of modernity’s cult of the new. In the early 20th century, mass production and advertising made style changes faster and more mandatory, less tied to craft or local custom. His line works because it treats fashion not as a frivolity but as a moral technology: a system that trains people to desire the unneeded and to conform in the name of individuality.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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