"Faulkner sat in our living room and read from Light in August. That was incredible"
About this Quote
Name-dropping doesn’t usually read as a critical method, but here it doubles as one. Leslie Fiedler’s offhand marvel at “Faulkner sat in our living room” is less about bragging rights than about collapsing distance: the canon doesn’t arrive as marble; it shows up on someone’s couch, voice in the air, book becoming a social event. The line works because it smuggles an argument about how literary authority is made. Not only by publication and prizes, but by proximity, by the almost embarrassing intimacy of hearing the Great Man perform his own myth in a domestic space.
“Light in August” isn’t a neutral choice, either. It’s a novel of identity panic and social policing, obsessed with who gets to belong and who gets read as irredeemably other. Fiedler’s stunned “That was incredible” carries a faint undertow: incredible as in astonishing, but also incredible as in hard to square with the idea of Faulkner as remote Southern monument. The living room setting turns modernism into something like parlor theater; it suggests that the fiercest American literature can be delivered conversationally, even casually, while still carrying its moral weight.
Context matters: Fiedler built a career puncturing literary pieties and exposing the cultural fantasies inside “serious” books. This anecdote quietly performs that signature move. It demystifies the author while re-mystifying the experience: the text gains power not from reverence at a distance, but from the shock of being near enough to hear it breathe.
“Light in August” isn’t a neutral choice, either. It’s a novel of identity panic and social policing, obsessed with who gets to belong and who gets read as irredeemably other. Fiedler’s stunned “That was incredible” carries a faint undertow: incredible as in astonishing, but also incredible as in hard to square with the idea of Faulkner as remote Southern monument. The living room setting turns modernism into something like parlor theater; it suggests that the fiercest American literature can be delivered conversationally, even casually, while still carrying its moral weight.
Context matters: Fiedler built a career puncturing literary pieties and exposing the cultural fantasies inside “serious” books. This anecdote quietly performs that signature move. It demystifies the author while re-mystifying the experience: the text gains power not from reverence at a distance, but from the shock of being near enough to hear it breathe.
Quote Details
| Topic | Writing |
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