"Film is a dramatised reality and it is the director's job to make it appear real... an audience should not be conscious of technique"
About this Quote
The subtext is craft as self-erasure. “An audience should not be conscious of technique” isn’t modesty; it’s a standard of control. Lean is describing a kind of authorship that hides in plain sight: if viewers notice the camera move, the edit, the “directing,” the spell weakens. This is classical filmmaking’s confidence that you can guide emotion, attention, and meaning without announcing your hand.
Context matters because Lean’s own films are famous for their technical virtuosity: the desert vastness of Lawrence of Arabia, the epic sweep of Bridge on the River Kwai, the precision of transitions that become iconic precisely because they’re so elegant. His claim isn’t “no style”; it’s style that reads as reality. That’s why it works rhetorically: it frames technique not as decoration but as ethics. The audience deserves immersion, not a lecture in cleverness, and the director’s responsibility is to make the artificial feel truthful enough to carry real consequence.
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APA Style (7th ed.)
Lean, David. (2026, January 15). Film is a dramatised reality and it is the director's job to make it appear real... an audience should not be conscious of technique. FixQuotes. https://fixquotes.com/quotes/film-is-a-dramatised-reality-and-it-is-the-88008/
Chicago Style
Lean, David. "Film is a dramatised reality and it is the director's job to make it appear real... an audience should not be conscious of technique." FixQuotes. January 15, 2026. https://fixquotes.com/quotes/film-is-a-dramatised-reality-and-it-is-the-88008/.
MLA Style (9th ed.)
"Film is a dramatised reality and it is the director's job to make it appear real... an audience should not be conscious of technique." FixQuotes, 15 Jan. 2026, https://fixquotes.com/quotes/film-is-a-dramatised-reality-and-it-is-the-88008/. Accessed 11 Feb. 2026.

