"Films must all have the same structure. All of this to guarantee box office bonanza, which of course it never does, but that's another discussion entirely"

Dirk Benedict's quote critiques the formulaic nature of modern-day filmmaking, recommending that movies are often created with a rigid structure in the hopes of accomplishing industrial success. The expression "Films must all have the same structure" suggests an understanding within the movie market that specific storytelling formats are important for appealing to broad audiences and ensuring a movie's profitability. This typically refers to the three-act structure or the hero's journey, which have been staples in narrative storytelling, especially in Hollywood. These structures are believed to use a sense of familiarity and dependability, which in turn, is thought to draw in larger audiences.

However, the quote's follow-up, "All of this to ensure box office treasure trove, which naturally it never does", suggests suspicion about the effectiveness of this approach. Benedict indicates that regardless of adhering to proven structural formulas, movies do not constantly accomplish the industrial success that they are crafted for. This disparity highlights a central tension in the entertainment industry between art and commerce-- the notion that creativity must conform to monetary expectations, yet financial success is never guaranteed even when these formulas are strictly used.

By including, "but that's another discussion totally", Benedict acknowledges the complexity of the topic, meaning underlying issues such as the unpredictable nature of audience choices, changing market dynamics, and the individuality of storytelling that can defy conventional structures. This part of the quote invites reflection on wider concerns about the value of innovation and risk-taking in filmmaking, and whether rigorous adherence to conventional structures stifles imagination and the capacity for genuine, revolutionary cinema.

In essence, Benedict's remark is a commentary on the fundamental contradictions of an industry that seeks to balance the artistry of movie with economic imperatives, questioning whether the pursuit of a "box office gold mine" through formulaic ways genuinely serves the creative value and diversity that cinema is capable of offering.