"Find fault when you must find fault in private, and if possible sometime after the offense, rather than at the time"
About this Quote
Public shaming is a cheap thrill; Sydney Smith is selling something rarer: effective correction with minimal collateral damage. The line reads like etiquette, but it’s really a social technology for preserving dignity in a world where reputations were currency and “character” was a public asset. As a clergyman, Smith isn’t allergic to moral judgment; he’s allergic to judgment that performs for an audience.
The key move is his double buffer: privacy and time. Privacy keeps criticism from metastasizing into humiliation, which triggers defensiveness and turns a fixable mistake into a feud. Time dislodges the heat of the moment, when blame is often less about truth than about proving who’s in control. “Sometime after the offense” isn’t avoidance; it’s strategy. It lets anger cool, facts settle, and the critic examine their own motives. Are you correcting, or are you scoring points?
Smith’s intent is pastoral and pragmatic: correction should aim at restoration, not spectacle. The subtext is a quiet indictment of people who “must” find fault - the compulsive correctors, the moral busybodies, the ones who confuse righteousness with immediacy. He grants that fault-finding sometimes is necessary, then cages it with conditions that make it harder to indulge as entertainment.
In Smith’s era, a single public rebuke could harden class boundaries or spark lasting rancor; today it reads like an antidote to the quote-tweet pile-on. The sentence is a restraint mechanism dressed as manners: if you want to change someone, don’t make their mistake your stage.
The key move is his double buffer: privacy and time. Privacy keeps criticism from metastasizing into humiliation, which triggers defensiveness and turns a fixable mistake into a feud. Time dislodges the heat of the moment, when blame is often less about truth than about proving who’s in control. “Sometime after the offense” isn’t avoidance; it’s strategy. It lets anger cool, facts settle, and the critic examine their own motives. Are you correcting, or are you scoring points?
Smith’s intent is pastoral and pragmatic: correction should aim at restoration, not spectacle. The subtext is a quiet indictment of people who “must” find fault - the compulsive correctors, the moral busybodies, the ones who confuse righteousness with immediacy. He grants that fault-finding sometimes is necessary, then cages it with conditions that make it harder to indulge as entertainment.
In Smith’s era, a single public rebuke could harden class boundaries or spark lasting rancor; today it reads like an antidote to the quote-tweet pile-on. The sentence is a restraint mechanism dressed as manners: if you want to change someone, don’t make their mistake your stage.
Quote Details
| Topic | Respect |
|---|---|
| Source | Help us find the source |
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