"Find your own specific voice in filmmaking and go for it. Either people will get it or they won't and that's what it's all about"
About this Quote
The line has the scrappy confidence of an artist who knows the real gatekeepers aren not critics but audiences with limited patience and infinite options. Yahoo Serious isnt selling a method; hes arguing for a posture: make something unmistakably yours, then accept the fallout. The blunt either-they-will-or-they-wont framing reads like a dare, but its also a survival tactic in an industry built to sand down odd edges into market-tested sameness.
The intent is practical, almost anti-mystical. Specific voice is the only durable advantage a filmmaker has when budgets, distribution, and attention are stacked against newcomers. Serious, whose own career is a case study in cult lightning (Young Einstein) followed by the unforgiving churn of expectations, is implicitly warning that chasing consensus is a trap. If you aim for everyone, you risk landing nowhere, and worse, you dilute the one thing that could make your work travel: its weirdness, its cadence, its point of view.
The subtext is a quiet rejection of permission. Go for it suggests urgency and risk; it also shrugs at the myth that art becomes legitimate only after validation. Either people will get it or they wont is less fatalism than clarity: your job isnt to pre-apologize or over-explain; its to commit so fully that misunderstanding becomes an acceptable cost of being legible to the right audience.
In a filmmaking culture increasingly driven by algorithms and franchisable tone, the quote plays like a reminder that the only real brand worth building is your own.
The intent is practical, almost anti-mystical. Specific voice is the only durable advantage a filmmaker has when budgets, distribution, and attention are stacked against newcomers. Serious, whose own career is a case study in cult lightning (Young Einstein) followed by the unforgiving churn of expectations, is implicitly warning that chasing consensus is a trap. If you aim for everyone, you risk landing nowhere, and worse, you dilute the one thing that could make your work travel: its weirdness, its cadence, its point of view.
The subtext is a quiet rejection of permission. Go for it suggests urgency and risk; it also shrugs at the myth that art becomes legitimate only after validation. Either people will get it or they wont is less fatalism than clarity: your job isnt to pre-apologize or over-explain; its to commit so fully that misunderstanding becomes an acceptable cost of being legible to the right audience.
In a filmmaking culture increasingly driven by algorithms and franchisable tone, the quote plays like a reminder that the only real brand worth building is your own.
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