"First I shall name the eagle, of which there are three species: the great grey eagle is the largest, of great strength and high flight; he chiefly preys on fawns and other young quadrupeds"
About this Quote
Bartram writes like a man trying to make a new continent legible to readers who have never heard its wings. The opening, "First I shall name", has the cool confidence of Enlightenment cataloging: nature arranged into lists, species into slots, the unknown into the knowable. It is taxonomy as persuasion. By declaring there are "three species", he signals authority and invites trust in his whole enterprise as a naturalist-witness.
But the sentence doesn’t stay in the museum. It pivots quickly to motion and appetite: "great strength and high flight" is the kind of phrasing that turns classification into myth-making, a shorthand for sublimity. Then Bartram drops the idyll with a hard clause: the eagle "chiefly preys on fawns". The effect is bracing. He refuses the sentimental emblem of the eagle as pure nobility and instead gives you predation, youth, vulnerability. The choice of "fawns and other young quadrupeds" reads almost diplomatic, smoothing gore into Latinate distance, yet it still lands as an ethical reminder: the apex is built on the small.
Context matters: Bartram is writing in a period when American nature is being translated for European and coastal audiences hungry for both wonder and data. His environmentalism isn’t modern preservationism; it’s closer to attentive seeing, a proto-ecological insistence that beauty and violence share the same habitat. The subtext is that to respect wilderness you must take it whole, not as symbol or scenery, but as a system with teeth.
But the sentence doesn’t stay in the museum. It pivots quickly to motion and appetite: "great strength and high flight" is the kind of phrasing that turns classification into myth-making, a shorthand for sublimity. Then Bartram drops the idyll with a hard clause: the eagle "chiefly preys on fawns". The effect is bracing. He refuses the sentimental emblem of the eagle as pure nobility and instead gives you predation, youth, vulnerability. The choice of "fawns and other young quadrupeds" reads almost diplomatic, smoothing gore into Latinate distance, yet it still lands as an ethical reminder: the apex is built on the small.
Context matters: Bartram is writing in a period when American nature is being translated for European and coastal audiences hungry for both wonder and data. His environmentalism isn’t modern preservationism; it’s closer to attentive seeing, a proto-ecological insistence that beauty and violence share the same habitat. The subtext is that to respect wilderness you must take it whole, not as symbol or scenery, but as a system with teeth.
Quote Details
| Topic | Nature |
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