"First, people don't read novels off screens, and they don't have a tendency to shell out real money for books when they don't retain anything physically for their money"
About this Quote
Chalker’s line lands like a confident prediction that accidentally reveals its own anxieties. He’s not merely arguing a preference for paper; he’s defending an entire value system built around tangibility. The phrasing is blunt, almost accountant-like: “shell out real money,” “retain anything physically.” Reading becomes a transaction, and the book’s physical presence is treated as proof that the transaction was fair. That’s the subtext: culture is harder to justify when the receipt is invisible.
The intent feels protective, even a little preemptively dismissive. By declaring what “people” do and don’t do, Chalker turns personal intuition into a populist fact, positioning himself on the side of common sense against a techy future. It’s also a subtle attempt to preserve the status hierarchy of publishing: authors, bookstores, libraries, publishers, and the whole economy of printed artifacts. Screens threaten not only reading habits but the social rituals that certify someone as a “real” reader.
Context matters. Chalker was writing from an era when “reading on screens” mostly meant clunky monitors and early e-readers, when digital ownership felt sketchy and the internet hadn’t trained consumers to pay for intangibles at scale. His claim now reads less as a factual miss than as a snapshot of a transitional moment: the fear that dematerialization would cheapen art. The irony is that he’s accurately naming the psychological hurdle digital media had to clear - not whether stories work on screens, but whether buyers trust value without weight.
The intent feels protective, even a little preemptively dismissive. By declaring what “people” do and don’t do, Chalker turns personal intuition into a populist fact, positioning himself on the side of common sense against a techy future. It’s also a subtle attempt to preserve the status hierarchy of publishing: authors, bookstores, libraries, publishers, and the whole economy of printed artifacts. Screens threaten not only reading habits but the social rituals that certify someone as a “real” reader.
Context matters. Chalker was writing from an era when “reading on screens” mostly meant clunky monitors and early e-readers, when digital ownership felt sketchy and the internet hadn’t trained consumers to pay for intangibles at scale. His claim now reads less as a factual miss than as a snapshot of a transitional moment: the fear that dematerialization would cheapen art. The irony is that he’s accurately naming the psychological hurdle digital media had to clear - not whether stories work on screens, but whether buyers trust value without weight.
Quote Details
| Topic | Book |
|---|---|
| Source | Help us find the source |
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