"Flying might not be all plain sailing, but the fun of it is worth the price"
About this Quote
Flying, for Earhart, is never sold as a dainty metaphor for “following your dreams.” It’s pitched as a transaction: risk and discomfort on one side, a particular kind of joy on the other. The phrase “not all plain sailing” is slyly domestic - a nautical idiom repurposed for the air - and that mismatch is the point. Early aviation was still close enough to catastrophe that you had to borrow language from older, supposedly safer frontiers just to make it legible. Earhart steadies the listener with familiarity, then slides in the real message: don’t confuse romance with ease.
The intent is pragmatic persuasion. She’s talking to a public that thrilled to aviation as spectacle but feared it as recklessness, and to would-be fliers (especially women) who were told that danger itself was evidence they didn’t belong. Her wording refuses both melodrama and bravado. “Might not” admits volatility without fetishizing it; “worth the price” rejects the fantasy that exhilaration should be free.
The subtext is class and gender as much as courage. Aviation wasn’t just hard; it was expensive, exclusive, and institutionally gatekept. By framing flight as “fun” yet costly, Earhart normalizes a woman claiming pleasure in peril and mastery in a space coded masculine. She doesn’t ask permission to want it. She evaluates it, pays, and goes anyway - a modern ethos before “empowerment” became branding: clear-eyed about the hazards, stubborn about the payoff.
The intent is pragmatic persuasion. She’s talking to a public that thrilled to aviation as spectacle but feared it as recklessness, and to would-be fliers (especially women) who were told that danger itself was evidence they didn’t belong. Her wording refuses both melodrama and bravado. “Might not” admits volatility without fetishizing it; “worth the price” rejects the fantasy that exhilaration should be free.
The subtext is class and gender as much as courage. Aviation wasn’t just hard; it was expensive, exclusive, and institutionally gatekept. By framing flight as “fun” yet costly, Earhart normalizes a woman claiming pleasure in peril and mastery in a space coded masculine. She doesn’t ask permission to want it. She evaluates it, pays, and goes anyway - a modern ethos before “empowerment” became branding: clear-eyed about the hazards, stubborn about the payoff.
Quote Details
| Topic | Adventure |
|---|---|
| Source | Help us find the source |
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