"For a while I was suicidal and I tried to kill myself. I think I should have died about four times"
About this Quote
There is a bluntness here that feels less like confession for its own sake and more like a refusal to play the celebrity game of tasteful vagueness. “For a while” shrinks what is, for most people, an all-consuming crisis into a time box, the way public figures often learn to narrate pain: contained, survivable, packageable. Then he breaks that container immediately. “I was suicidal and I tried to kill myself” is almost clinically direct, but the repetition of “myself” lands like a grim emphasis on agency and isolation. No metaphor, no poetic distance. Just the fact of it.
The second sentence pivots into something darker and strangely casual: “I think I should have died about four times.” The hedging (“I think,” “about”) reads like someone groping for accuracy while also signaling how dissociation works after trauma; memory becomes approximate, numbers become proxies. It also carries the subtext of survivor’s guilt and disbelief: if death seemed mathematically likely and still didn’t happen, what is he supposed to do with the life that remained?
Context matters because Osbourne isn’t a private citizen speaking into a void. He’s a celebrity whose family brand is spectacle, excess, and televised chaos. In that ecosystem, saying this out loud is an act of counter-programming: it interrupts the entertainment narrative with consequence. The intent feels twofold: to humanize a public persona and to normalize speaking plainly about suicidality without turning it into inspirational content. The discomfort is the point; the line forces the audience to sit with reality, not redemption.
The second sentence pivots into something darker and strangely casual: “I think I should have died about four times.” The hedging (“I think,” “about”) reads like someone groping for accuracy while also signaling how dissociation works after trauma; memory becomes approximate, numbers become proxies. It also carries the subtext of survivor’s guilt and disbelief: if death seemed mathematically likely and still didn’t happen, what is he supposed to do with the life that remained?
Context matters because Osbourne isn’t a private citizen speaking into a void. He’s a celebrity whose family brand is spectacle, excess, and televised chaos. In that ecosystem, saying this out loud is an act of counter-programming: it interrupts the entertainment narrative with consequence. The intent feels twofold: to humanize a public persona and to normalize speaking plainly about suicidality without turning it into inspirational content. The discomfort is the point; the line forces the audience to sit with reality, not redemption.
Quote Details
| Topic | Mental Health |
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