"For Astrid, no matter what challenges they go through, they are going to face each other. It's hard for a daughter to accept that her mother is that selfish and that terrible"
About this Quote
Alison Lohman’s line lands like a spoiler-free gut punch: the real monster isn’t the supernatural threat, it’s the person you’re supposed to be safest with. By anchoring the quote in “For Astrid,” she’s not speaking abstractly about family trauma; she’s slipping into character psychology, the actor’s move of defending the emotional logic even when the plot turns brutal. The insistence that “no matter what challenges they go through, they are going to face each other” frames conflict as destiny, not choice. This isn’t a spat that can be outgrown; it’s a collision baked into the relationship.
The subtext is about the particular cruelty of maternal betrayal. “Face each other” is a loaded phrasing: it suggests confrontation, but also the forced intimacy of recognition. Astrid can’t simply label her mother “bad” and walk away because daughters are trained, culturally and emotionally, to keep searching for the redeeming explanation. Lohman names what the story is really asking the audience to sit with: accepting that the mother isn’t just flawed, she’s “selfish and… terrible.” That blunt pairing rejects the softer language we often use to protect family myths.
Contextually, Lohman is pointing to a modern strain of storytelling that refuses the comforting arc of reconciliation. The intent is to make Astrid’s struggle feel inevitable and adult: the horror isn’t that a mother fails, it’s that the daughter has to revise her entire idea of love, loyalty, and who gets to be forgiven.
The subtext is about the particular cruelty of maternal betrayal. “Face each other” is a loaded phrasing: it suggests confrontation, but also the forced intimacy of recognition. Astrid can’t simply label her mother “bad” and walk away because daughters are trained, culturally and emotionally, to keep searching for the redeeming explanation. Lohman names what the story is really asking the audience to sit with: accepting that the mother isn’t just flawed, she’s “selfish and… terrible.” That blunt pairing rejects the softer language we often use to protect family myths.
Contextually, Lohman is pointing to a modern strain of storytelling that refuses the comforting arc of reconciliation. The intent is to make Astrid’s struggle feel inevitable and adult: the horror isn’t that a mother fails, it’s that the daughter has to revise her entire idea of love, loyalty, and who gets to be forgiven.
Quote Details
| Topic | Mother |
|---|---|
| Source | Help us find the source |
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