"For example, it's only about 20 years ago the people in that community would have got telephone lines, and it would be only about in the 1950s that electricity came to that part of the world. Television wouldn't have come till 1970"
About this Quote
The sting in McGahern's timeline is how casually it demolishes the fantasy of a quaint, unchanging rural Ireland. In three clipped benchmarks - phone lines, electricity, television - he compresses a whole social revolution into the span of a single living memory. The effect is almost offhand, but the subtext is accusatory: "traditional life" wasn't timeless; it was materially constrained, late-wired into modernity, and expected to endure as a kind of national backdrop for everyone else's progress.
McGahern chooses infrastructure, not ideology, because it can't be argued with. Telephone lines and electricity are not metaphors you can wave away; they are the literal conditions that shape work, isolation, gossip, opportunity, and the imagination of what a life can be. When he says "that community", he signals intimacy and distance at once - he knows it from the inside, yet he's also marking how easily such places get treated as peripheral, spoken about rather than listened to.
The dates do quiet cultural work. Postwar electrification, late-arriving TV: this is not just a lag in consumer comforts, it's a lag in connection, in access to national narratives, in the steady drip of alternative possibilities. By placing television as the last arrival, McGahern hints at the moment when private worlds began to be competed with - and sometimes overwritten - by broadcast ones. His intent isn't nostalgia; it's a corrective to nostalgia, a reminder that "rural" often meant delayed citizenship.
McGahern chooses infrastructure, not ideology, because it can't be argued with. Telephone lines and electricity are not metaphors you can wave away; they are the literal conditions that shape work, isolation, gossip, opportunity, and the imagination of what a life can be. When he says "that community", he signals intimacy and distance at once - he knows it from the inside, yet he's also marking how easily such places get treated as peripheral, spoken about rather than listened to.
The dates do quiet cultural work. Postwar electrification, late-arriving TV: this is not just a lag in consumer comforts, it's a lag in connection, in access to national narratives, in the steady drip of alternative possibilities. By placing television as the last arrival, McGahern hints at the moment when private worlds began to be competed with - and sometimes overwritten - by broadcast ones. His intent isn't nostalgia; it's a corrective to nostalgia, a reminder that "rural" often meant delayed citizenship.
Quote Details
| Topic | Technology |
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