"For hostile word let hostile word be paid"
About this Quote
Aeschylus compresses an entire civic pathology into eight words: the reflex to answer speech with speech, injury with injury, until the exchange becomes self-justifying. "Paid" is the tell. This is not a random outburst; it frames hostility as a debt that must be settled, as if retaliation were merely bookkeeping. In tragedy, that is how catastrophe gets legalized: vengeance stops feeling like a choice and starts masquerading as obligation.
The line lands in a culture where honor operates like public currency and shame is a political force. Greek tragedy constantly stages the moment when private grievance becomes communal weather. A hostile word is never only a personal insult; it threatens status, invites spectators, demands a response. Aeschylus understands that language is the first weapon and the most contagious one: before blood is spilled, the city rehearses violence in arguments, curses, and oaths.
Subtextually, the phrase is both a warning and a seduction. It sounds fair, even tidy. Reciprocity is a powerful moral narcotic: it lets you call cruelty "balance". Aeschylus' larger project, especially in works like the Oresteia, is to expose how this logic traps families and states in loops of escalating "payment" until only a new institution (law, arbitration, a court that replaces vendetta) can interrupt the accounting.
The intent, then, is not to celebrate toughness but to dramatize how quickly speech becomes destiny. When hostility is treated as currency, everyone becomes both creditor and debtor, and tragedy is the interest that accrues.
The line lands in a culture where honor operates like public currency and shame is a political force. Greek tragedy constantly stages the moment when private grievance becomes communal weather. A hostile word is never only a personal insult; it threatens status, invites spectators, demands a response. Aeschylus understands that language is the first weapon and the most contagious one: before blood is spilled, the city rehearses violence in arguments, curses, and oaths.
Subtextually, the phrase is both a warning and a seduction. It sounds fair, even tidy. Reciprocity is a powerful moral narcotic: it lets you call cruelty "balance". Aeschylus' larger project, especially in works like the Oresteia, is to expose how this logic traps families and states in loops of escalating "payment" until only a new institution (law, arbitration, a court that replaces vendetta) can interrupt the accounting.
The intent, then, is not to celebrate toughness but to dramatize how quickly speech becomes destiny. When hostility is treated as currency, everyone becomes both creditor and debtor, and tragedy is the interest that accrues.
Quote Details
| Topic | Justice |
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