"For me from a pretty young age up until about 21 years old hallucinogenics had a huge place in my life"
About this Quote
Fishman’s line lands with the offhand candor of someone defusing a myth before it hardens into legend. “For me” and “pretty young age” are doing quiet work: they frame the story as personal and specific, not a manifesto or a brag. Then he drops the phrase “had a huge place in my life,” which sounds almost domestic, like hallucinogenics were furniture in the room rather than a scandal. That soft phrasing makes the admission feel less like rebellion and more like autobiography - a period, a soundtrack, a set of experiments that shaped a person.
The cutoff matters even more than the confession. “Up until about 21” is a clean hinge: youth as a contained era of intensity, followed by an implied decision to step back before it turns into identity or damage. It signals self-editing, not moralizing - the kind of boundary that reads as maturity rather than repentance. In rock culture, drugs are often packaged as either glamorous fuel or cautionary tale. Fishman threads a third lane: hallucinogenics as a meaningful tool in a formative window, then something you outgrow when the stakes change.
Contextually, coming from a musician associated with jam-band improvisation, the line invites listeners to connect the dots between psychedelic experience and expansive musical aesthetics. The subtext isn’t “drugs made the art”; it’s “the art came from a life that included this,” with enough distance to keep the narrative honest instead of romantic.
The cutoff matters even more than the confession. “Up until about 21” is a clean hinge: youth as a contained era of intensity, followed by an implied decision to step back before it turns into identity or damage. It signals self-editing, not moralizing - the kind of boundary that reads as maturity rather than repentance. In rock culture, drugs are often packaged as either glamorous fuel or cautionary tale. Fishman threads a third lane: hallucinogenics as a meaningful tool in a formative window, then something you outgrow when the stakes change.
Contextually, coming from a musician associated with jam-band improvisation, the line invites listeners to connect the dots between psychedelic experience and expansive musical aesthetics. The subtext isn’t “drugs made the art”; it’s “the art came from a life that included this,” with enough distance to keep the narrative honest instead of romantic.
Quote Details
| Topic | Youth |
|---|---|
| Source | Help us find the source |
More Quotes by Jon
Add to List





