"For me the meaning of my work is much more fluid"
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“For me the meaning of my work is much more fluid” reads like an architect refusing the press release version of himself. Thom Mayne has spent decades being cast as the hard-edged formalist: the guy of jagged skins, aggressive geometries, and buildings that look like they’re mid-argument with gravity. This line quietly reroutes that stereotype. He’s not denying form; he’s rejecting the idea that form comes with a fixed moral, civic, or symbolic caption attached.
“Meaning” here is a trapdoor word. In architecture, it’s often treated as something you can pin down: a building represents transparency, community, innovation, the future. Mayne implies that kind of certainty is mostly theater, a way clients and institutions calm their nerves about spending millions on a public object. By calling meaning “fluid,” he’s framing it as contingent: produced by use, time, maintenance, politics, weather, and the shifting expectations of the people moving through it. The building’s story isn’t authored once; it’s revised daily.
The subtext is also defensive in a savvy way. Mayne’s work has drawn both acclaim and backlash for being challenging, even unreadable, to outsiders. Fluid meaning functions as a rebuttal to the demand that architecture be instantly legible. He’s aligning himself with a contemporary culture skeptical of grand narratives: the idea that a single, official interpretation is not just impossible but suspect.
Context matters: Mayne emerges from late-20th-century avant-garde currents that treated buildings less like monuments and more like systems. In that lineage, “fluid” is not vagueness; it’s an ethic of openness, a refusal to freeze lived experience into a slogan.
“Meaning” here is a trapdoor word. In architecture, it’s often treated as something you can pin down: a building represents transparency, community, innovation, the future. Mayne implies that kind of certainty is mostly theater, a way clients and institutions calm their nerves about spending millions on a public object. By calling meaning “fluid,” he’s framing it as contingent: produced by use, time, maintenance, politics, weather, and the shifting expectations of the people moving through it. The building’s story isn’t authored once; it’s revised daily.
The subtext is also defensive in a savvy way. Mayne’s work has drawn both acclaim and backlash for being challenging, even unreadable, to outsiders. Fluid meaning functions as a rebuttal to the demand that architecture be instantly legible. He’s aligning himself with a contemporary culture skeptical of grand narratives: the idea that a single, official interpretation is not just impossible but suspect.
Context matters: Mayne emerges from late-20th-century avant-garde currents that treated buildings less like monuments and more like systems. In that lineage, “fluid” is not vagueness; it’s an ethic of openness, a refusal to freeze lived experience into a slogan.
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| Topic | Work |
|---|---|
| Source | Help us find the source |
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