"For the last 12 years, I've felt really privileged to be living such a normal life. It's so a part of who I am"
About this Quote
Kate Bush’s line lands like a quiet rebellion against the celebrity script. Coming from an artist who spent decades being treated as an eccentric apparition - brilliant, elusive, vaguely mythical - her insistence on “such a normal life” isn’t small talk. It’s a boundary. The word “privileged” does double duty: it nods to the obvious luck of wealth and acclaim, but it also reframes privacy as the real luxury in an attention economy that sells constant access as the price of relevance.
The time stamp matters. “For the last 12 years” reads like a deliberate accounting of a retreat, not a slump. Bush’s long absences from touring and the standard promo grind have often been narrated by others as disappearance, diva behavior, or fear. She flips that narrative into choice and craft: normality isn’t evidence she stopped being an artist; it’s evidence she protected the conditions that make her work possible.
“It’s so a part of who I am” pushes past lifestyle and into identity. She’s not claiming she plays at being ordinary; she’s arguing that the person outside the spotlight is the real author of the work. Subtext: if you want the music, you don’t get to demand the performance of celebrity that usually comes bundled with it.
In a culture that confuses visibility with authenticity, Bush makes a sharper claim: authenticity can look like disappearance, and the most radical thing a famous person can do is refuse to be endlessly available.
The time stamp matters. “For the last 12 years” reads like a deliberate accounting of a retreat, not a slump. Bush’s long absences from touring and the standard promo grind have often been narrated by others as disappearance, diva behavior, or fear. She flips that narrative into choice and craft: normality isn’t evidence she stopped being an artist; it’s evidence she protected the conditions that make her work possible.
“It’s so a part of who I am” pushes past lifestyle and into identity. She’s not claiming she plays at being ordinary; she’s arguing that the person outside the spotlight is the real author of the work. Subtext: if you want the music, you don’t get to demand the performance of celebrity that usually comes bundled with it.
In a culture that confuses visibility with authenticity, Bush makes a sharper claim: authenticity can look like disappearance, and the most radical thing a famous person can do is refuse to be endlessly available.
Quote Details
| Topic | Contentment |
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