"For things to have value in man's world, they are given the role of commodities. Among man's oldest and most constant commodity is woman"
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Value, in this framing, is not discovered but assigned by a system that knows how to price, trade, and consume. Castillo’s line turns the language of economics into an indictment: if “things” only count once they become commodities, then the culture’s moral failure isn’t incidental, it’s structural. She’s not arguing that women have been treated badly in the abstract; she’s pointing to a logic so old and normalized it passes for common sense. The shock lands in the grammar. “Among man’s oldest and most constant commodity is woman” reads like a ledger entry, cool and administrative, mimicking the very detachment that makes objectification sustainable.
The subtext is that patriarchy doesn’t merely demean women; it converts them into a unit of exchange across institutions: marriage markets, inheritance laws, sexual conquest as status, beauty as capital, reproduction as labor. Castillo, a Chicana novelist, is also implicitly speaking to layered histories where women’s bodies are doubly tradable: under colonialism, under racial capitalism, under Catholic respectability politics, under national mythmaking that wants “the woman” as symbol but not as agent.
What makes the sentence work is its compression. “Man’s world” is both the generic human world and a male-authored one; the ambiguity is the point. “Oldest and most constant” suggests continuity across centuries, but also contemporary persistence: advertising, entertainment, and even “empowerment” narratives that still route female worth through market visibility. Castillo isn’t asking for better manners. She’s questioning an economy of value that can’t recognize a person unless it can own, display, or trade her.
The subtext is that patriarchy doesn’t merely demean women; it converts them into a unit of exchange across institutions: marriage markets, inheritance laws, sexual conquest as status, beauty as capital, reproduction as labor. Castillo, a Chicana novelist, is also implicitly speaking to layered histories where women’s bodies are doubly tradable: under colonialism, under racial capitalism, under Catholic respectability politics, under national mythmaking that wants “the woman” as symbol but not as agent.
What makes the sentence work is its compression. “Man’s world” is both the generic human world and a male-authored one; the ambiguity is the point. “Oldest and most constant” suggests continuity across centuries, but also contemporary persistence: advertising, entertainment, and even “empowerment” narratives that still route female worth through market visibility. Castillo isn’t asking for better manners. She’s questioning an economy of value that can’t recognize a person unless it can own, display, or trade her.
Quote Details
| Topic | Equality |
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