"For what do we live, but to make sport for our neighbors and laugh at them in our turn?"
About this Quote
Austen slips a scalpel under the polite lace of “neighborliness” and lifts: beneath the tea and calls lies a brisk economy of amusement. The line is shaped like a toast to conviviality, but it’s really an indictment of the social contract in her world, where attention is currency and judgment is the main local industry. “Make sport” isn’t simply teasing; it’s social sorting. To be laughed at is to be placed, diminished, corrected back into the narrow groove of what’s acceptable. Austen’s brilliance is that she lets it sound almost cheerful, as if the cruelty is just good manners having a laugh.
The second clause, “and laugh at them in our turn,” is where the subtext turns fatalistic. The pleasure isn’t only in superiority; it’s in the rotation. Everyone gets a moment on the pedestal and everyone gets marched off it. That “in our turn” suggests a village-sized wheel of fortune: you can participate, or you can pretend you’re above it, but you can’t opt out of being observed. The line doubles as self-awareness, too, a wink at readers who are currently enjoying Austen’s own sport-making as she orchestrates misunderstandings, vanity, and romantic self-deception.
Context matters: Austen is writing from within tight social ecosystems where marriage, money, and reputation are intertwined, and where direct speech is risky. Wit becomes both weapon and ventilation system. The joke lands because it’s uncomfortably accurate: community can be care, but it can also be surveillance with a smile.
The second clause, “and laugh at them in our turn,” is where the subtext turns fatalistic. The pleasure isn’t only in superiority; it’s in the rotation. Everyone gets a moment on the pedestal and everyone gets marched off it. That “in our turn” suggests a village-sized wheel of fortune: you can participate, or you can pretend you’re above it, but you can’t opt out of being observed. The line doubles as self-awareness, too, a wink at readers who are currently enjoying Austen’s own sport-making as she orchestrates misunderstandings, vanity, and romantic self-deception.
Context matters: Austen is writing from within tight social ecosystems where marriage, money, and reputation are intertwined, and where direct speech is risky. Wit becomes both weapon and ventilation system. The joke lands because it’s uncomfortably accurate: community can be care, but it can also be surveillance with a smile.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Pride and Prejudice , Jane Austen (1813). Public-domain text contains the line in many editions; see the Project Gutenberg edition. |
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