"Ford used to come to work in a big car with two Admiral's flags, on each side of the car. His assistant would be there with his accordion, playing, Hail to the Chief"
About this Quote
Ego doesn’t just walk into the room here; it arrives in a motorcade, with a soundtrack. Richard Widmark’s anecdote about John Ford is less a cute behind-the-scenes detail than a tiny ethnography of old Hollywood power: the director as sovereign, the set as a private nation, the crew as obedient court. The Admiral’s flags are the punchline you can see from a block away, a gaudy symbol of borrowed authority. They don’t merely decorate the car; they rebrand it as a warship, turning a commute into a ceremonial deployment.
The accordion playing “Hail to the Chief” seals the joke and sharpens the critique. It’s comic because it’s absurdly literal: Ford doesn’t just want respect, he wants pageantry, the kind that usually belongs to elected leaders and state funerals. But it’s also unsettling because everyone is in on it. The assistant isn’t heckling; he’s participating. That’s Widmark’s subtext: authoritarian theater works best when the audience is required to clap.
Widmark, an actor, tells it with the casual precision of someone who’s seen this dynamic up close and learned to survive it. There’s admiration tucked inside the eye-roll; Ford’s mythmaking was part of his brand and, arguably, part of what made his sets run like disciplined machines. The anecdote captures a cultural moment when Hollywood men could perform greatness until it became indistinguishable from governance, and everyone else had to decide whether to laugh, comply, or both.
The accordion playing “Hail to the Chief” seals the joke and sharpens the critique. It’s comic because it’s absurdly literal: Ford doesn’t just want respect, he wants pageantry, the kind that usually belongs to elected leaders and state funerals. But it’s also unsettling because everyone is in on it. The assistant isn’t heckling; he’s participating. That’s Widmark’s subtext: authoritarian theater works best when the audience is required to clap.
Widmark, an actor, tells it with the casual precision of someone who’s seen this dynamic up close and learned to survive it. There’s admiration tucked inside the eye-roll; Ford’s mythmaking was part of his brand and, arguably, part of what made his sets run like disciplined machines. The anecdote captures a cultural moment when Hollywood men could perform greatness until it became indistinguishable from governance, and everyone else had to decide whether to laugh, comply, or both.
Quote Details
| Topic | Funny |
|---|---|
| Source | Help us find the source |
More Quotes by Richard
Add to List





