"Frankly, writing poetry for children is plain old fun, and I consider myself blessed to have such a delightful career"
About this Quote
There is something quietly radical in Prelutsky leading with "Frankly". It’s a conversational throat-clear that preempts the usual adult defenses around children’s art: that it’s lesser, that it must be morally improving, that it’s mainly a stepping-stone to “real” literature. He doesn’t argue for poetry’s importance; he shrugs and tells you the best part is that it’s fun. That move disarms cynicism while also staking a claim: pleasure is a legitimate artistic motive, not a guilty one.
The phrase "plain old fun" is doing heavy cultural work. It’s a deliberate downshift in diction, a refusal of prestige-speak. Children’s poetry thrives on the quick spark - rhythm, surprise, mischief, the sly bend of logic. By describing his labor in the same language a kid might use, Prelutsky aligns craft with play, implying that the adult poet’s job is to stay fluent in delight without condescending to it.
Then comes the pivot: "blessed" and "delightful career". That’s gratitude, but it’s also a subtle rebuttal to the romantic myth of the miserable artist. Prelutsky frames success not as tortured genius but as sustained joy and service - a life spent manufacturing wonder on purpose. In a culture that often treats children’s media as disposable and its makers as infantilized, he’s asserting a professional pride that’s almost subversive: the work matters because it makes happiness, and that’s hard to do well.
The phrase "plain old fun" is doing heavy cultural work. It’s a deliberate downshift in diction, a refusal of prestige-speak. Children’s poetry thrives on the quick spark - rhythm, surprise, mischief, the sly bend of logic. By describing his labor in the same language a kid might use, Prelutsky aligns craft with play, implying that the adult poet’s job is to stay fluent in delight without condescending to it.
Then comes the pivot: "blessed" and "delightful career". That’s gratitude, but it’s also a subtle rebuttal to the romantic myth of the miserable artist. Prelutsky frames success not as tortured genius but as sustained joy and service - a life spent manufacturing wonder on purpose. In a culture that often treats children’s media as disposable and its makers as infantilized, he’s asserting a professional pride that’s almost subversive: the work matters because it makes happiness, and that’s hard to do well.
Quote Details
| Topic | Poetry |
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