"From beginning to end it's about keeping the energy and the intensity of the story and not doing too much and not doing too little, but just enough so people stay interested and stay involved in the characters"
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Craft, for Deborah Cox, isn’t the glossy afterthought people project onto pop; it’s the difference between a song that merely plays and a song that holds you by the collar. Her line reads like a quiet manifesto for performance in an attention economy: the job isn’t to show off vocal horsepower or pile on production tricks, but to manage “energy” and “intensity” so the listener never slips out of the narrative spell.
The phrasing “not doing too much and not doing too little” is the tell. Cox is naming the razor-thin margin between melodrama and boredom that R&B singers live on, especially when your instrument is emotion. Too much runs the risk of turning pain into theatrics, a belt into a billboard. Too little, and the story evaporates into background music. “Just enough” isn’t modesty; it’s control, the kind that makes a big note feel earned rather than demanded.
Her emphasis on “story” and “characters” also pushes back against the idea that singers are simply delivering feelings. She’s talking like a director or screenwriter because that’s the real labor behind a convincing ballad: pacing, restraint, escalation, and the careful timing of revelation. In the context of a career built on dramatic, heart-forward records, it’s a reminder that intensity is not volume. It’s intention, calibrated beat by beat so the listener stays not just impressed, but implicated.
The phrasing “not doing too much and not doing too little” is the tell. Cox is naming the razor-thin margin between melodrama and boredom that R&B singers live on, especially when your instrument is emotion. Too much runs the risk of turning pain into theatrics, a belt into a billboard. Too little, and the story evaporates into background music. “Just enough” isn’t modesty; it’s control, the kind that makes a big note feel earned rather than demanded.
Her emphasis on “story” and “characters” also pushes back against the idea that singers are simply delivering feelings. She’s talking like a director or screenwriter because that’s the real labor behind a convincing ballad: pacing, restraint, escalation, and the careful timing of revelation. In the context of a career built on dramatic, heart-forward records, it’s a reminder that intensity is not volume. It’s intention, calibrated beat by beat so the listener stays not just impressed, but implicated.
Quote Details
| Topic | Writing |
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