"Gardening is how I relax. It's another form of creating and playing with colors"
About this Quote
De la Renta makes relaxation sound almost suspiciously productive, and that is the point. “Gardening” arrives as an off-duty alibi, a humble domestic pastime, but he immediately reframes it as work-adjacent: “another form of creating.” Even rest, for a designer whose public identity is built on polish and control, becomes a studio. The verb choice matters. Gardening isn’t just observing nature; it’s “playing,” a word that gives permission to experiment without the stakes of a runway show. Yet it’s also “creating,” signaling authorship. He gets to be both child and maestro, messy and exacting.
The line about “colors” is doing double duty. On the surface it’s literal: blooms, foliage, seasonal palettes. Underneath, it’s a coded statement about how taste is trained. Color, in fashion, is high-risk and high-visibility; in a garden, it’s slower, forgiving, and collaborative with weather, soil, and time. That shift in tempo hints at why the garden reads as relaxation: it offers constraint without spectacle, beauty without immediate judgment.
Contextually, de la Renta’s brand sold an elevated, optimistic femininity - confident color, impeccable finishing, pleasure with standards. The quote quietly defends that sensibility against the idea that fashion is frivolous. He positions aesthetic labor as a continuum: dressmaking, arranging a border of flowers, composing a life. The subtext is almost a manifesto: artistry isn’t a job you clock out of; it’s a way of seeing that follows you home.
The line about “colors” is doing double duty. On the surface it’s literal: blooms, foliage, seasonal palettes. Underneath, it’s a coded statement about how taste is trained. Color, in fashion, is high-risk and high-visibility; in a garden, it’s slower, forgiving, and collaborative with weather, soil, and time. That shift in tempo hints at why the garden reads as relaxation: it offers constraint without spectacle, beauty without immediate judgment.
Contextually, de la Renta’s brand sold an elevated, optimistic femininity - confident color, impeccable finishing, pleasure with standards. The quote quietly defends that sensibility against the idea that fashion is frivolous. He positions aesthetic labor as a continuum: dressmaking, arranging a border of flowers, composing a life. The subtext is almost a manifesto: artistry isn’t a job you clock out of; it’s a way of seeing that follows you home.
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