"Genetic theories, I gather, have been cherished academically with detachment"
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Tate’s little “I gather” is doing more work than the rest of the sentence. It’s a shrug masquerading as modesty: he’s signaling that what follows isn’t a new discovery so much as an unpleasant social fact everyone in the room already knows. “Genetic theories” here doesn’t mean DNA in the modern sense; it evokes heredity, bloodlines, and the early-20th-century academic flirtation with eugenic thinking and biological determinism. By calling these theories “cherished,” Tate implies a kind of guilty affection: not merely entertained, but loved, protected, given pride of place in the university’s glass case.
Then comes the knife: “with detachment.” Tate isn’t praising objectivity. He’s accusing the academy of laundering moral hazard through tone. Detachment becomes a style that permits cruelty. If you treat human worth as a matter of inheritance, you can keep your hands clean by keeping your voice cool. The sentence exposes a professional posture: the theorist as spectator, serenely above consequences, free to classify people the way one might classify plants.
As a poet and a Southern Agrarian adjacent figure, Tate was deeply suspicious of modernity’s habit of turning persons into abstractions. He’s also taking aim at the prestige economy of ideas: theories gain status not because they’re humane or even accurate, but because they flatter the intellect’s desire to categorize, predict, and control. The subtext is that “detachment” isn’t neutral; it’s an alibi.
Then comes the knife: “with detachment.” Tate isn’t praising objectivity. He’s accusing the academy of laundering moral hazard through tone. Detachment becomes a style that permits cruelty. If you treat human worth as a matter of inheritance, you can keep your hands clean by keeping your voice cool. The sentence exposes a professional posture: the theorist as spectator, serenely above consequences, free to classify people the way one might classify plants.
As a poet and a Southern Agrarian adjacent figure, Tate was deeply suspicious of modernity’s habit of turning persons into abstractions. He’s also taking aim at the prestige economy of ideas: theories gain status not because they’re humane or even accurate, but because they flatter the intellect’s desire to categorize, predict, and control. The subtext is that “detachment” isn’t neutral; it’s an alibi.
Quote Details
| Topic | Science |
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