"George Murphy tagged that name "Butch" on me years ago. We were all at a party and he went around tagging names on people that didn't fit them"
About this Quote
Romero’s anecdote lands like a neat little roast disguised as nostalgia: a nickname is never neutral, and “Butch” is a particularly loaded one to hang on a man whose public persona leaned suave, musical, and meticulously groomed. The humor comes from the mismatch. Murphy isn’t “naming” people so much as testing the room’s power dynamics, handing out labels that deliberately don’t fit because watching someone carry the wrong name is its own party trick.
The subtext is classic old-Hollywood social theater. A star’s image is currency; a nickname is a tiny act of authorship over someone else’s brand. Romero frames it lightly - “tagged that name” makes it sound like a casual sticker - but the verb also hints at possession, even graffiti. Murphy “went around” like a self-appointed MC, asserting status by re-describing everyone, turning a gathering into an audition for who can take a joke and who can’t.
Romero’s decision to recount it at all suggests he understood the move and survived it without needing to overcorrect. He doesn’t protest the content of the nickname; he undercuts the mechanism: Murphy tagged names “that didn’t fit them.” That’s the quiet flex. It implies Romero’s real identity was already secure enough that an ill-fitting label could bounce off, becoming a story rather than a wound.
Context matters too: Murphy, later a politician, represents the studio-era machine that manufactured personas. Romero’s line exposes how casually that manufacturing happened - not always in boardrooms, sometimes over cocktails, with a grin.
The subtext is classic old-Hollywood social theater. A star’s image is currency; a nickname is a tiny act of authorship over someone else’s brand. Romero frames it lightly - “tagged that name” makes it sound like a casual sticker - but the verb also hints at possession, even graffiti. Murphy “went around” like a self-appointed MC, asserting status by re-describing everyone, turning a gathering into an audition for who can take a joke and who can’t.
Romero’s decision to recount it at all suggests he understood the move and survived it without needing to overcorrect. He doesn’t protest the content of the nickname; he undercuts the mechanism: Murphy tagged names “that didn’t fit them.” That’s the quiet flex. It implies Romero’s real identity was already secure enough that an ill-fitting label could bounce off, becoming a story rather than a wound.
Context matters too: Murphy, later a politician, represents the studio-era machine that manufactured personas. Romero’s line exposes how casually that manufacturing happened - not always in boardrooms, sometimes over cocktails, with a grin.
Quote Details
| Topic | Funny Friendship |
|---|---|
| Source | Help us find the source |
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