"Give me a couple of years, and I'll make that actress an overnight success"
About this Quote
Hollywood loves to sell lightning in a bottle, and Goldwyn is calmly pointing at the batteries behind the curtain. "Overnight success" is the industrys favorite fairy tale: a star is discovered, a door swings open, destiny does the rest. Goldwyn, a producer who helped industrialize American cinema, turns the phrase inside out. He keeps the punchline but replaces the magic with logistics: time, money, coaching, publicity, and the slow grind of assembling a marketable persona.
The intent is almost managerial, delivered with a wry confidence that doubles as a flex. In two years, he implies, he can manufacture consensus: train the actress, shape her image, place her in the right projects, and saturate the public with just enough repetition that recognition feels like revelation. The line is funny because it treats "overnight" as a label you slap on a product after months of production, like calling a canned soup "homemade."
The subtext is sharper: talent matters, but the apparatus matters more. Goldwyn is both demystifying and defending the system that makes him powerful. If success can be built on schedule, then the producer becomes a kind of author - not of scripts, but of careers. In the studio era, when contracts were binding and publicity departments were essentially parallel governments, this wasnt a cynical exaggeration so much as an operating principle. The joke lands because it admits the con while bragging about how expertly he can run it.
The intent is almost managerial, delivered with a wry confidence that doubles as a flex. In two years, he implies, he can manufacture consensus: train the actress, shape her image, place her in the right projects, and saturate the public with just enough repetition that recognition feels like revelation. The line is funny because it treats "overnight" as a label you slap on a product after months of production, like calling a canned soup "homemade."
The subtext is sharper: talent matters, but the apparatus matters more. Goldwyn is both demystifying and defending the system that makes him powerful. If success can be built on schedule, then the producer becomes a kind of author - not of scripts, but of careers. In the studio era, when contracts were binding and publicity departments were essentially parallel governments, this wasnt a cynical exaggeration so much as an operating principle. The joke lands because it admits the con while bragging about how expertly he can run it.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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