"Go on - but don't think you can kill my confidence. I've had experts doing it for years"
About this Quote
Osborne’s line lands like a grin with a bruise underneath: permission granted, knives already expected. “Go on” is dismissive bravado, but it’s also a dare that exposes the power dynamic he’s refusing to honor. The speaker isn’t asking for approval; he’s anticipating the ritual of being cut down and choosing to control the timing. It’s a small act of sovereignty in a world where other people - “experts,” no less - claim authority over your worth.
That word “experts” does the real damage. Osborne doesn’t say enemies or critics; he says professionals, gatekeepers, the accredited class who turn judgment into a job. The joke is that their expertise is in demolition, not construction: they specialize in dismantling confidence, not in cultivating talent. The comedy is sharp because it’s self-aware; the speaker has absorbed the criticism long enough to treat it as weather. If you’re going to be rained on, you might as well narrate the storm.
Contextually, it fits Osborne’s mid-century Britain, where class, taste, and institutional credentialing policed who got to speak with authority. In plays like Look Back in Anger, the fury isn’t abstract; it’s aimed at the complacent machinery of respectability. Here, confidence becomes a battered but stubborn resource - not innocence, not ego, but survival. The subtext is bleakly comic: you can’t take what’s already been stolen in installments. The line doesn’t deny vulnerability; it weaponizes it, turning past humiliations into a shield and a threat.
That word “experts” does the real damage. Osborne doesn’t say enemies or critics; he says professionals, gatekeepers, the accredited class who turn judgment into a job. The joke is that their expertise is in demolition, not construction: they specialize in dismantling confidence, not in cultivating talent. The comedy is sharp because it’s self-aware; the speaker has absorbed the criticism long enough to treat it as weather. If you’re going to be rained on, you might as well narrate the storm.
Contextually, it fits Osborne’s mid-century Britain, where class, taste, and institutional credentialing policed who got to speak with authority. In plays like Look Back in Anger, the fury isn’t abstract; it’s aimed at the complacent machinery of respectability. Here, confidence becomes a battered but stubborn resource - not innocence, not ego, but survival. The subtext is bleakly comic: you can’t take what’s already been stolen in installments. The line doesn’t deny vulnerability; it weaponizes it, turning past humiliations into a shield and a threat.
Quote Details
| Topic | Confidence |
|---|---|
| Source | Help us find the source |
More Quotes by John
Add to List








