"God and Country are an unbeatable team; they break all records for oppression and bloodshed"
About this Quote
Bunuel takes two supposedly sacred nouns and treats them like a sports dynasty: unbeatable, record-breaking, crowd-pleasing. The joke lands because it borrows the language of pride and achievement to describe the ugliest achievements imaginable. It is not just blasphemy for shock value; it is a precise satire of how power launders violence through reverence. When God and Country are paired, cruelty stops looking like cruelty and starts looking like duty.
The intent is corrosive and clear: to puncture the moral alibi provided by religion and nationalism when they merge into a single identity. Bunuel knew how institutions narrate themselves. “God” supplies metaphysical certainty, a cosmic endorsement that makes compromise feel like betrayal. “Country” supplies the collective body, the flag you can die for and, more to the point, kill for. Together they create a closed loop: dissent becomes heresy, obedience becomes patriotism, and bloodshed becomes history’s “necessary” chapter.
Context matters because Bunuel is a filmmaker who made a career out of attacking piety as performance and authority as ritual. Coming out of Spain’s Catholic culture and living through the century’s wars and dictatorships, he understood how quickly devotional language becomes a technology of control. The line is a miniature Bunuel film: a clean, almost polite surface that suddenly reveals rot underneath. The sting is that he’s not accusing fringe extremists; he’s accusing the mainstream coalition that loves to call itself virtuous.
The intent is corrosive and clear: to puncture the moral alibi provided by religion and nationalism when they merge into a single identity. Bunuel knew how institutions narrate themselves. “God” supplies metaphysical certainty, a cosmic endorsement that makes compromise feel like betrayal. “Country” supplies the collective body, the flag you can die for and, more to the point, kill for. Together they create a closed loop: dissent becomes heresy, obedience becomes patriotism, and bloodshed becomes history’s “necessary” chapter.
Context matters because Bunuel is a filmmaker who made a career out of attacking piety as performance and authority as ritual. Coming out of Spain’s Catholic culture and living through the century’s wars and dictatorships, he understood how quickly devotional language becomes a technology of control. The line is a miniature Bunuel film: a clean, almost polite surface that suddenly reveals rot underneath. The sting is that he’s not accusing fringe extremists; he’s accusing the mainstream coalition that loves to call itself virtuous.
Quote Details
| Topic | Human Rights |
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