"God has given you one face, and you make yourself another"
About this Quote
Shakespeare lands the insult with the neat cruelty of a proverb: you were issued an identity, and you chose to counterfeit it. The line (from Hamlet, aimed at women who “jig and amble” their way through courtly performance) isn’t really theology; “God” is a rhetorical cudgel, a way to make personal artifice sound like cosmic betrayal. It’s social criticism disguised as moral law.
The specific intent is accusation-by-definition. “One face” isn’t just a literal visage; it’s the idea of a coherent self. “Make yourself another” points to cosmetics, flirtation, and the broader theater of status - but it also needles the fear that identity is endlessly editable. Hamlet’s disgust is aesthetic as much as ethical: he hates the gap between what people are and what they present, and he can’t tolerate a world where surfaces win.
Subtext-wise, the line gives away Hamlet as much as it condemns anyone else. He’s railing against masks while living in a court that demands them, and while he himself is performing “madness” as strategy. That hypocrisy isn’t accidental; it’s Shakespeare’s trapdoor. The play keeps asking whether sincerity is possible in a system built on appearances, and whether “nature” is anything more than a story powerful people tell to police behavior - especially women’s behavior.
Context matters: Renaissance anxieties about cosmetics and “seeming” were real, tangled up with religion, gender, and class. Shakespeare doesn’t resolve them; he dramatizes how moral language becomes a weapon when trust collapses.
The specific intent is accusation-by-definition. “One face” isn’t just a literal visage; it’s the idea of a coherent self. “Make yourself another” points to cosmetics, flirtation, and the broader theater of status - but it also needles the fear that identity is endlessly editable. Hamlet’s disgust is aesthetic as much as ethical: he hates the gap between what people are and what they present, and he can’t tolerate a world where surfaces win.
Subtext-wise, the line gives away Hamlet as much as it condemns anyone else. He’s railing against masks while living in a court that demands them, and while he himself is performing “madness” as strategy. That hypocrisy isn’t accidental; it’s Shakespeare’s trapdoor. The play keeps asking whether sincerity is possible in a system built on appearances, and whether “nature” is anything more than a story powerful people tell to police behavior - especially women’s behavior.
Context matters: Renaissance anxieties about cosmetics and “seeming” were real, tangled up with religion, gender, and class. Shakespeare doesn’t resolve them; he dramatizes how moral language becomes a weapon when trust collapses.
Quote Details
| Topic | Honesty & Integrity |
|---|---|
| Source | Hamlet (William Shakespeare), line spoken by Hamlet to Ophelia: "God hath given you one face, and you make yourselves another." (Hamlet, Act 3, scene 1) |
More Quotes by William
Add to List







