"God is not something I think about but something I experience as an energy, a Presence. I do find it easier to pray to a female Presence or an androgynous Presence"
About this Quote
Dukakis isn’t making a theological argument so much as staging a quiet revolt against the way God is usually cast. By refusing “something I think about,” she swerves around doctrine, debate, and the armchair certainty that often comes with them. “Energy, a Presence” is actorly language: felt, embodied, experiential. It treats faith less like a verdict and more like a scene partner - you don’t prove them, you respond to them.
The second sentence does the sharper cultural work. “Easier to pray to a female Presence or an androgynous Presence” isn’t a trendy rebrand; it’s a confession about access. If the inherited image of God is patriarchal, distant, and managerial, then prayer becomes a performance of submission as much as intimacy. Dukakis is naming how gendered imagery scripts our emotional range: who gets to be approached with tenderness, who is allowed to hold power without threat, who feels safe to ask.
There’s also a professional subtext: an actress understands the politics of casting. “Male God” has been the default lead for centuries; Dukakis is auditioning alternatives not to shock but to make the relationship playable. Female or androgynous divinity isn’t just about representation; it’s about changing the emotional temperature of prayer from obedience to closeness.
Coming from a public figure of her era, the candor matters. It’s the sound of late-20th-century spirituality slipping the leash of institutional certainty while still refusing nihilism: God remains, but as presence rather than patriarch.
The second sentence does the sharper cultural work. “Easier to pray to a female Presence or an androgynous Presence” isn’t a trendy rebrand; it’s a confession about access. If the inherited image of God is patriarchal, distant, and managerial, then prayer becomes a performance of submission as much as intimacy. Dukakis is naming how gendered imagery scripts our emotional range: who gets to be approached with tenderness, who is allowed to hold power without threat, who feels safe to ask.
There’s also a professional subtext: an actress understands the politics of casting. “Male God” has been the default lead for centuries; Dukakis is auditioning alternatives not to shock but to make the relationship playable. Female or androgynous divinity isn’t just about representation; it’s about changing the emotional temperature of prayer from obedience to closeness.
Coming from a public figure of her era, the candor matters. It’s the sound of late-20th-century spirituality slipping the leash of institutional certainty while still refusing nihilism: God remains, but as presence rather than patriarch.
Quote Details
| Topic | God |
|---|---|
| Source | Help us find the source |
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