"God like Us suffers the ambition to make a destiny more extraordinary than was conceived for Him, yes God is like Me, only more so"
About this Quote
Mailer drops the blasphemy like a gauntlet because he wants to collapse two grand American myths into one: God as author, and the author as God. The line is built to scandalize, but the scandal is strategic. By giving God “ambition” and the urge to “make a destiny more extraordinary,” Mailer yanks divinity out of serene omniscience and into the sweaty realm of ego, risk, and revision. This is not theology so much as craft talk with a halo: a creator isn’t a fixed perfection; a creator wrestles with what he’s made and tries to out-write the limits of the original plan.
The pivot - “yes God is like Me, only more so” - is classic Mailer bravado, but it’s also a confession of dependence. He can’t claim creative authority without borrowing sacred language, and he can’t mock sacred language without admitting he craves what it confers: destiny, magnitude, permanence. The joke lands because it’s half-serious. Mailer’s persona always dared the reader to call him arrogant, then dared them to deny that arrogance is part of the engine.
Context matters: mid-century American letters rewarded the swaggering male genius while also fearing the void opened by modernity’s loss of unquestioned faith. Mailer plugs that leak with performance. He doesn’t so much declare himself divine as reveal how writers, in a culture allergic to limits, end up treating ambition as their religion - and their egos as the most credible proof.
The pivot - “yes God is like Me, only more so” - is classic Mailer bravado, but it’s also a confession of dependence. He can’t claim creative authority without borrowing sacred language, and he can’t mock sacred language without admitting he craves what it confers: destiny, magnitude, permanence. The joke lands because it’s half-serious. Mailer’s persona always dared the reader to call him arrogant, then dared them to deny that arrogance is part of the engine.
Context matters: mid-century American letters rewarded the swaggering male genius while also fearing the void opened by modernity’s loss of unquestioned faith. Mailer plugs that leak with performance. He doesn’t so much declare himself divine as reveal how writers, in a culture allergic to limits, end up treating ambition as their religion - and their egos as the most credible proof.
Quote Details
| Topic | God |
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