"God, to me, it seems, is a verb not a noun, proper or improper"
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Fuller doesn’t just tweak theology here; he rewires grammar to match his engineering worldview. Calling God “a verb not a noun” drags divinity out of the museum case and into motion. Nouns sit still; verbs do work. For an inventor obsessed with systems, feedback loops, and “doing more with less,” the line is a quiet manifesto: whatever you call the ultimate principle, it’s not a static object you can own, label, or deputize. It’s process.
The sly bit is the add-on: “proper or improper.” He’s winking at the whole policing of language and doctrine. Proper nouns claim authority and specificity: a particular God, in a particular tradition, capitalized and fenced off. Improper nouns are generic, interchangeable, domesticated. Fuller refuses both. If you can pin God down as either a brand name or a category, you can recruit it for politics, profit, or certainty. A verb resists that capture. You can’t possess an action the way you possess a relic.
Context matters: mid-century American modernity offered two loud options - technocratic confidence or religious reassurance. Fuller tries to splice them. His “God” is less Sunday-school deity than the animating tendency in nature toward pattern, synergy, and emergence: the thing you glimpse when complex systems cohere. The intent isn’t to debunk faith but to prevent it from hardening into an object. In Fuller’s hands, belief becomes a discipline: pay attention to what’s unfolding, participate responsibly, and judge “the divine” by what it enables in the world.
The sly bit is the add-on: “proper or improper.” He’s winking at the whole policing of language and doctrine. Proper nouns claim authority and specificity: a particular God, in a particular tradition, capitalized and fenced off. Improper nouns are generic, interchangeable, domesticated. Fuller refuses both. If you can pin God down as either a brand name or a category, you can recruit it for politics, profit, or certainty. A verb resists that capture. You can’t possess an action the way you possess a relic.
Context matters: mid-century American modernity offered two loud options - technocratic confidence or religious reassurance. Fuller tries to splice them. His “God” is less Sunday-school deity than the animating tendency in nature toward pattern, synergy, and emergence: the thing you glimpse when complex systems cohere. The intent isn’t to debunk faith but to prevent it from hardening into an object. In Fuller’s hands, belief becomes a discipline: pay attention to what’s unfolding, participate responsibly, and judge “the divine” by what it enables in the world.
Quote Details
| Topic | God |
|---|---|
| Source | Help us find the source |
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