"God's always got a custard pie up his sleeve"
About this Quote
Divinity, in Margaret Forster's hands, isn’t a marble statue; it’s a prankster lurking just offstage. "God's always got a custard pie up his sleeve" trades the solemn architecture of faith for the slapstick mechanics of a gag: the pie is soft, comic, humiliating, and impossible to dignify once it hits. The line works because it refuses the comfort religion is often asked to provide. Instead of providence as reassurance, Forster offers providence as ambush.
The intent feels less blasphemous than bracingly domestic. A custard pie belongs to music halls and old comedies, not cathedrals. That mismatch is the point. It captures how life’s reversals land: not as operatic tragedy but as sudden indignity, the kind that makes you wipe your face and realize the room has been watching. Forster’s fiction often orbits the pressures of family, class, and private disappointment; this metaphor folds cosmic order into everyday embarrassment. God isn’t absent, but present in a way that punctures self-importance.
Subtextually, it’s a critique of human narratives of control. We plan, we moralize, we insist things happen for tidy reasons. The pie suggests randomness with agency: not chaos, exactly, but a sense that the universe has a mischievous sense of timing. It’s also a survival tactic. If catastrophe can be framed as farce, you can keep moving through it without surrendering to melodrama.
Context matters: a late-20th-century British sensibility steeped in irony, wary of grand certainty, fluent in humor as coping. Forster’s God is less judge than trick of the light - a reminder that dignity is provisional and that the world loves to test it.
The intent feels less blasphemous than bracingly domestic. A custard pie belongs to music halls and old comedies, not cathedrals. That mismatch is the point. It captures how life’s reversals land: not as operatic tragedy but as sudden indignity, the kind that makes you wipe your face and realize the room has been watching. Forster’s fiction often orbits the pressures of family, class, and private disappointment; this metaphor folds cosmic order into everyday embarrassment. God isn’t absent, but present in a way that punctures self-importance.
Subtextually, it’s a critique of human narratives of control. We plan, we moralize, we insist things happen for tidy reasons. The pie suggests randomness with agency: not chaos, exactly, but a sense that the universe has a mischievous sense of timing. It’s also a survival tactic. If catastrophe can be framed as farce, you can keep moving through it without surrendering to melodrama.
Context matters: a late-20th-century British sensibility steeped in irony, wary of grand certainty, fluent in humor as coping. Forster’s God is less judge than trick of the light - a reminder that dignity is provisional and that the world loves to test it.
Quote Details
| Topic | God |
|---|---|
| Source | Help us find the source |
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