"Good actors I've worked with all started out making faces in a mirror, and you keep making faces all your life"
About this Quote
Her intent is both practical and a little barbed. Davis isn’t praising pretty performance; she’s talking about control. A face is an instrument, and the mirror is the first rehearsal room. The subtext is that “good” acting comes from an early willingness to look ridiculous, to exaggerate, to test the limits of expression without an audience’s permission. It’s a quiet argument against the idea that dignity produces art. Dignity, for Davis, is often the enemy of truth.
The second clause is where the line turns: “and you keep making faces all your life.” That isn’t just advice, it’s a worldview. Great acting remains playful, invasive, unsatisfied; it keeps poking at identity like a bruise. Coming from an actress who built a career on sharp edges, ambition, and emotional precision, it also reads as a confession: the work never resolves into mastery. You don’t graduate from experimentation; you live inside it. In a culture that worships authenticity, Davis reminds us that authenticity is often engineered - one face at a time, in the mirror, forever.
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Citation Formats
APA Style (7th ed.)
Davis, Bette. (2026, January 18). Good actors I've worked with all started out making faces in a mirror, and you keep making faces all your life. FixQuotes. https://fixquotes.com/quotes/good-actors-ive-worked-with-all-started-out-16777/
Chicago Style
Davis, Bette. "Good actors I've worked with all started out making faces in a mirror, and you keep making faces all your life." FixQuotes. January 18, 2026. https://fixquotes.com/quotes/good-actors-ive-worked-with-all-started-out-16777/.
MLA Style (9th ed.)
"Good actors I've worked with all started out making faces in a mirror, and you keep making faces all your life." FixQuotes, 18 Jan. 2026, https://fixquotes.com/quotes/good-actors-ive-worked-with-all-started-out-16777/. Accessed 12 Feb. 2026.

