"Good directing is about getting the performance to be just what's right for the movie"
About this Quote
Joffe’s line quietly rejects the auteur myth that “good directing” is a signature you stamp onto actors. Instead, it frames directing as calibration: not chasing the biggest emotion, the most “authentic” moment, or the flashiest piece of acting, but finding the exact voltage a film’s world can carry. “Just what’s right” is doing a lot of work here. It implies restraint as a skill, and taste as a form of authority.
The subtext is a gentle critique of performance culture, especially the awards-season bias toward visible effort: tears, volume, transformation. Joffe’s emphasis lands elsewhere. A performance can be brilliant on its own terms and still wrong for the movie’s rhythm, genre contract, or moral temperature. A satire dies if the actor plays sincerity too hard; a thriller collapses if everyone “acts” their fear; a historical drama turns to pageant when the cast performs importance rather than lived stakes. The director’s job is to make sure the actor isn’t performing in a vacuum.
Context matters with Joffe because his films (The Killing Fields, The Mission) trade in moral pressure and political consequence; they need acting that carries gravity without turning into ceremony. His best scenes depend on a controlled intensity that lets the audience feel the stakes without being instructed how to feel.
It’s also a reminder that directing is less about dominance than orchestration: aligning performance with camera distance, editing tempo, sound, and tone. “Right” isn’t a moral judgment. It’s coherence.
The subtext is a gentle critique of performance culture, especially the awards-season bias toward visible effort: tears, volume, transformation. Joffe’s emphasis lands elsewhere. A performance can be brilliant on its own terms and still wrong for the movie’s rhythm, genre contract, or moral temperature. A satire dies if the actor plays sincerity too hard; a thriller collapses if everyone “acts” their fear; a historical drama turns to pageant when the cast performs importance rather than lived stakes. The director’s job is to make sure the actor isn’t performing in a vacuum.
Context matters with Joffe because his films (The Killing Fields, The Mission) trade in moral pressure and political consequence; they need acting that carries gravity without turning into ceremony. His best scenes depend on a controlled intensity that lets the audience feel the stakes without being instructed how to feel.
It’s also a reminder that directing is less about dominance than orchestration: aligning performance with camera distance, editing tempo, sound, and tone. “Right” isn’t a moral judgment. It’s coherence.
Quote Details
| Topic | Movie |
|---|
More Quotes by Roland
Add to List






