"Good writers are of necessity rare"
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“Good writers are of necessity rare” has the cool, Victorian confidence of a man trying to drag art out of the realm of vibes and into the realm of discipline. Lewes wasn’t a literary celebrity tossing off a hot take; he was a philosopher-critic in an era when the novel was exploding as mass entertainment and print culture was making “writer” feel newly accessible. The line works because it quietly separates access from achievement. Anyone can publish; almost no one can sustain the cognitive, ethical, and aesthetic pressure that “good” implies.
The phrase “of necessity” is the tell. Lewes isn’t lamenting scarcity so much as claiming it’s structural. Good writing, in his view, demands multiple forms of competence that rarely coexist: clarity without simplification, style without vanity, observation without cruelty, feeling without melodrama. It’s a standard that turns the writer’s private life into a factory of revision, restraint, and self-contradiction management. The subtext is almost anti-democratic, but not merely snobbish: it’s an argument against the comforting idea that sincerity or intelligence automatically converts into prose that can carry meaning for strangers.
In context, Lewes was also close to George Eliot, a novelist who treated writing as moral labor rather than personal expression. The sentence doubles as praise by implication: if good writers are necessarily rare, the few who exist owe their status not to mystique but to rigor.
The phrase “of necessity” is the tell. Lewes isn’t lamenting scarcity so much as claiming it’s structural. Good writing, in his view, demands multiple forms of competence that rarely coexist: clarity without simplification, style without vanity, observation without cruelty, feeling without melodrama. It’s a standard that turns the writer’s private life into a factory of revision, restraint, and self-contradiction management. The subtext is almost anti-democratic, but not merely snobbish: it’s an argument against the comforting idea that sincerity or intelligence automatically converts into prose that can carry meaning for strangers.
In context, Lewes was also close to George Eliot, a novelist who treated writing as moral labor rather than personal expression. The sentence doubles as praise by implication: if good writers are necessarily rare, the few who exist owe their status not to mystique but to rigor.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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