"Good writing is supposed to evoke sensation in the reader - not the fact that it is raining, but the feeling of being rained upon"
About this Quote
Doctorow draws a line that every competent writer knows is there, then dares you to stop hiding behind it. “Not the fact that it is raining” is a jab at reportage: the lazy comfort of naming what’s on the page and calling it life. The real job, he insists, is bodily. “The feeling of being rained upon” drags writing out of the abstract and into the nervous system: cold pinpricks on skin, the damp creep at your collar, the minor humiliation of arriving soaked. It’s an argument for prose that doesn’t merely inform but simulates.
The intent is craft talk, but the subtext is a moral stance. Doctorow is pushing back against the prestige of “important topics” delivered in flat sentences. Facts can be correct and still be evasive. Sensation forces intimacy; it makes the writer accountable for experience rather than summary. It also quietly elevates the reader from spectator to participant. You’re not watching weather from a window; you’re in it.
Context matters: Doctorow, a historical novelist who reanimated America’s past without embalming it, knew how easily “history” becomes a list of events. His work (Ragtime especially) thrives on the principle that the past only becomes legible when it becomes palpable. Rain is his perfect example because it’s universally recognizable yet individually felt, a reminder that the sharpest realism isn’t a catalog of external details. It’s the internal weather.
The intent is craft talk, but the subtext is a moral stance. Doctorow is pushing back against the prestige of “important topics” delivered in flat sentences. Facts can be correct and still be evasive. Sensation forces intimacy; it makes the writer accountable for experience rather than summary. It also quietly elevates the reader from spectator to participant. You’re not watching weather from a window; you’re in it.
Context matters: Doctorow, a historical novelist who reanimated America’s past without embalming it, knew how easily “history” becomes a list of events. His work (Ragtime especially) thrives on the principle that the past only becomes legible when it becomes palpable. Rain is his perfect example because it’s universally recognizable yet individually felt, a reminder that the sharpest realism isn’t a catalog of external details. It’s the internal weather.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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