"Great passions may give us a quickened sense of life, ecstasy and sorrow of love, the various forms of enthusiastic activity, disinterested or otherwise, which comes naturally to many of us"
About this Quote
Pater’s sentence moves like a long inhale, piling sensation on sensation until “life” itself feels temporarily intensified. That’s the point: not moral instruction, not social improvement, but heightened perception as an aesthetic achievement. In the late Victorian world that produced him-a culture loud with earnestness, duty, and respectable restraint-Pater quietly relocates value from what passions accomplish to what they make us feel. “Quickened sense of life” is the tell: passion is less a virtue than a stimulant, a way to make the ordinary pulse faster.
The phrasing also stages a careful ambivalence. He pairs “ecstasy and sorrow of love,” refusing the sentimental trick of treating love as pure uplift; the intensity is the argument, not the happy ending. Then he widens the net to “enthusiastic activity,” sliding from romance to art, politics, religion, or any pursuit that burns hot enough. It’s a broad defense of fervor in an age suspicious of excess.
The real needle is in “disinterested or otherwise.” Victorian criticism prized “disinterestedness” as a mark of refined judgment-motive-free, elevated, clean. Pater punctures that ideal with a shrug: even self-interested passion can enliven. The subtext is permissive, almost subversive. He isn’t preaching hedonism so much as giving the reader intellectual cover to admit what they already know: intensity rarely arrives with perfect motives, and life is still more vivid when it does.
The phrasing also stages a careful ambivalence. He pairs “ecstasy and sorrow of love,” refusing the sentimental trick of treating love as pure uplift; the intensity is the argument, not the happy ending. Then he widens the net to “enthusiastic activity,” sliding from romance to art, politics, religion, or any pursuit that burns hot enough. It’s a broad defense of fervor in an age suspicious of excess.
The real needle is in “disinterested or otherwise.” Victorian criticism prized “disinterestedness” as a mark of refined judgment-motive-free, elevated, clean. Pater punctures that ideal with a shrug: even self-interested passion can enliven. The subtext is permissive, almost subversive. He isn’t preaching hedonism so much as giving the reader intellectual cover to admit what they already know: intensity rarely arrives with perfect motives, and life is still more vivid when it does.
Quote Details
| Topic | Love |
|---|---|
| Source | Help us find the source |
More Quotes by Walter
Add to List










