"Great writers are the saints for the godless"
About this Quote
Brookner’s line flatters literature while quietly admitting what it’s replacing: not entertainment, not “culture,” but the old machinery of moral authority. Calling great writers “saints” is a provocation because sainthood is supposed to be earned through faith, sacrifice, and institutional recognition. Brookner strips out the institution and keeps the function. For the “godless,” writers become the figures you turn to for guidance, confession, and a vocabulary for shame and longing. The altar is a bookshelf; the ritual is rereading.
The subtext is less anti-religious than post-religious. Brookner isn’t cheering on nihilism; she’s observing a class of people (often educated, secular, anxious) who still want seriousness without doctrine. Great novelists supply a portable ethics: not commandments, but examples of how desire curdles, how self-deception sounds, how loneliness rationalizes itself. That’s why the word “saints” lands. Saints are not just “good”; they’re legible models of interior life. Great writers do the same, except their miracles are psychological accuracy and merciless attention.
Context matters: Brookner, trained as a historian, writes as someone attuned to what societies use when belief erodes. Her own fiction is full of restrained lives and private catastrophes, the kind of moral drama that doesn’t need heaven or hell to feel consequential. The line also contains a warning. Saints invite reverence; reverence can become dependency. If writers replace religion, we may end up seeking absolution from aesthetics - and confusing being moved with being redeemed.
The subtext is less anti-religious than post-religious. Brookner isn’t cheering on nihilism; she’s observing a class of people (often educated, secular, anxious) who still want seriousness without doctrine. Great novelists supply a portable ethics: not commandments, but examples of how desire curdles, how self-deception sounds, how loneliness rationalizes itself. That’s why the word “saints” lands. Saints are not just “good”; they’re legible models of interior life. Great writers do the same, except their miracles are psychological accuracy and merciless attention.
Context matters: Brookner, trained as a historian, writes as someone attuned to what societies use when belief erodes. Her own fiction is full of restrained lives and private catastrophes, the kind of moral drama that doesn’t need heaven or hell to feel consequential. The line also contains a warning. Saints invite reverence; reverence can become dependency. If writers replace religion, we may end up seeking absolution from aesthetics - and confusing being moved with being redeemed.
Quote Details
| Topic | Writing |
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