"Grief is a normal and natural response to loss. It is originally an unlearned feeling process. Keeping grief inside increases your pain"
About this Quote
Grant’s line has the bracing plainness of someone who’s watched polite society turn sorrow into a performance of composure. Calling grief “normal and natural” isn’t comfort so much as a rebuttal: she’s pushing back against the idea that strong feeling is evidence of weakness or moral failure. The key word is “unlearned.” In an era obsessed with manners, restraint, and religiously coded “good” behavior, she frames grief as pre-social, something the body and mind do before etiquette and doctrine get their hands on it. You don’t study your way into mourning; you live your way into it.
The subtext is quietly insurgent. If grief is “unlearned,” then many of the rules around it are learned, and therefore optional - even suspect. Grant’s phrase “keeping grief inside” reads like an indictment of the stiff-upper-lip ideal: containment isn’t dignity, it’s self-harm. She implies a physics of feeling: pain doesn’t disappear when sealed; it concentrates.
As a poet writing in the late 18th and early 19th centuries, Grant is working in a culture shaped by high mortality, religious consolation, and social surveillance, particularly for women whose public emotional range was tightly policed. Her intent isn’t to romanticize sorrow but to legitimize its expression as a form of care. The sentence structure does that work: calm, declarative, almost clinical, as if she’s smuggling permission into advice. The rhetoric turns confession into something sturdier - a claim about human design.
The subtext is quietly insurgent. If grief is “unlearned,” then many of the rules around it are learned, and therefore optional - even suspect. Grant’s phrase “keeping grief inside” reads like an indictment of the stiff-upper-lip ideal: containment isn’t dignity, it’s self-harm. She implies a physics of feeling: pain doesn’t disappear when sealed; it concentrates.
As a poet writing in the late 18th and early 19th centuries, Grant is working in a culture shaped by high mortality, religious consolation, and social surveillance, particularly for women whose public emotional range was tightly policed. Her intent isn’t to romanticize sorrow but to legitimize its expression as a form of care. The sentence structure does that work: calm, declarative, almost clinical, as if she’s smuggling permission into advice. The rhetoric turns confession into something sturdier - a claim about human design.
Quote Details
| Topic | Sadness |
|---|---|
| Source | Help us find the source |
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