"Guitar players in the nineties seem to be reacting against the technique oriented eighties"
About this Quote
Kirk Hammett is clocking a genre mood swing with the casual precision of someone who lived through the arms race. In one line, he sketches a whole decade-to-decade backlash: the 1980s as peak “technique” - speed, polish, virtuosity as scoreboard - and the 1990s as a corrective, even a refusal. The verb “reacting” matters. He’s not praising a new standard so much as describing a recoil, like players pulling their hands back from a hot stove labeled shredding.
The subtext is cultural, not just musical. The ’80s guitar hero was a brightly lit figure: solos engineered to impress, production engineered to shine. By the early ’90s, that sheen read as suspect. Grunge and alt-rock weren’t anti-guitar; they were anti-performative guitar. The point wasn’t to prove you could do it, but to make the song feel like something. Sloppier edges became a kind of honesty. Simpler parts could land harder because they didn’t sound like they were auditioning.
Hammett’s perspective adds bite. Metallica came up in a scene where chops mattered, then watched the mainstream pivot toward restraint and “authenticity” narratives. So the line carries a quiet self-awareness: technique isn’t the enemy, but worshiping it is. He’s diagnosing how taste works in cycles - when one era turns virtuosity into a cliché, the next finds freedom in limitation, and calls it truth.
The subtext is cultural, not just musical. The ’80s guitar hero was a brightly lit figure: solos engineered to impress, production engineered to shine. By the early ’90s, that sheen read as suspect. Grunge and alt-rock weren’t anti-guitar; they were anti-performative guitar. The point wasn’t to prove you could do it, but to make the song feel like something. Sloppier edges became a kind of honesty. Simpler parts could land harder because they didn’t sound like they were auditioning.
Hammett’s perspective adds bite. Metallica came up in a scene where chops mattered, then watched the mainstream pivot toward restraint and “authenticity” narratives. So the line carries a quiet self-awareness: technique isn’t the enemy, but worshiping it is. He’s diagnosing how taste works in cycles - when one era turns virtuosity into a cliché, the next finds freedom in limitation, and calls it truth.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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