"Have a very good reason for everything you do"
About this Quote
Olivier’s line isn’t the airy “follow your passion” advice actors get fed; it’s closer to a professional ethic, almost a moral demand. “Have a very good reason” is the kind of phrasing you hear from someone who lived inside rehearsal rooms where vague choices die fast. It’s not enough to want to do something, or even to feel it. You need a defensible why.
Coming from an actor who helped define 20th-century British stagecraft, the subtext carries a quiet rebuke: instinct without architecture is just mood. Olivier’s generation worked in a tradition that prized technique, textual rigor, and repeatability - the ability to deliver the same truth eight shows a week without relying on lightning-bolt inspiration. A “reason” is what makes a performance legible to an audience and reproducible for the actor. It’s also what keeps a production from turning into a jumble of private emotions that read as incoherent from row M.
The wording matters. “Everything you do” expands the note from acting to life, but it still feels actorly: each beat has to be motivated, each pause earned, each risk chosen rather than stumbled into. There’s discipline here, but also freedom. Once you can justify a choice, you can commit to it without apology. In a culture that often confuses spontaneity with authenticity, Olivier is insisting on a tougher standard: intention is what turns impulse into art - and turns art into something other people can actually feel.
Coming from an actor who helped define 20th-century British stagecraft, the subtext carries a quiet rebuke: instinct without architecture is just mood. Olivier’s generation worked in a tradition that prized technique, textual rigor, and repeatability - the ability to deliver the same truth eight shows a week without relying on lightning-bolt inspiration. A “reason” is what makes a performance legible to an audience and reproducible for the actor. It’s also what keeps a production from turning into a jumble of private emotions that read as incoherent from row M.
The wording matters. “Everything you do” expands the note from acting to life, but it still feels actorly: each beat has to be motivated, each pause earned, each risk chosen rather than stumbled into. There’s discipline here, but also freedom. Once you can justify a choice, you can commit to it without apology. In a culture that often confuses spontaneity with authenticity, Olivier is insisting on a tougher standard: intention is what turns impulse into art - and turns art into something other people can actually feel.
Quote Details
| Topic | Decision-Making |
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