"Having achieved and accomplished love... man... has become himself, his tale is told"
About this Quote
Love, for Lawrence, isn’t a garnish on a life well-lived; it’s the event that finally makes a person legible. The ellipses in “Having achieved and accomplished love... man... has become himself” do quiet, telling work: they mimic his suspicion that the self is not a neat, continuous story but something punctuated into being. You don’t “find yourself” by thinking harder. You become yourself through a consuming encounter that rearranges your instincts, loyalties, and body. “Accomplished” is the sly pivot word. Love isn’t only felt; it’s done, made, survived. It has the weight of a craft or a feat.
The subtext is characteristically Lawrencean and a little combative: modernity’s favorite projects - status, productivity, cleverness - are distractions unless they culminate in a deeper, more dangerous intimacy. He’s also insisting on love as a threshold, not a lifestyle brand. Once crossed, “his tale is told” lands with paradoxical finality. It’s not that life ends; it’s that the essential narrative tension is resolved. The person stops being an unfinished hypothesis.
Context matters. Lawrence wrote in the early 20th century, when industrialization and war were grinding people into functions, and when Victorian moral codes still policed desire even as they were cracking. His novels obsess over the way social scripts deform erotic life, and how erotic life threatens to tell the truth about social scripts. This line carries that whole argument in miniature: love is the most radical form of self-knowledge because it cannot be achieved without being changed.
The subtext is characteristically Lawrencean and a little combative: modernity’s favorite projects - status, productivity, cleverness - are distractions unless they culminate in a deeper, more dangerous intimacy. He’s also insisting on love as a threshold, not a lifestyle brand. Once crossed, “his tale is told” lands with paradoxical finality. It’s not that life ends; it’s that the essential narrative tension is resolved. The person stops being an unfinished hypothesis.
Context matters. Lawrence wrote in the early 20th century, when industrialization and war were grinding people into functions, and when Victorian moral codes still policed desire even as they were cracking. His novels obsess over the way social scripts deform erotic life, and how erotic life threatens to tell the truth about social scripts. This line carries that whole argument in miniature: love is the most radical form of self-knowledge because it cannot be achieved without being changed.
Quote Details
| Topic | Love |
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