"He bore no grudge against those he had wronged"
About this Quote
A small, lethal joke dressed up as moral bookkeeping. "He bore no grudge against those he had wronged" flips the expected logic of injury and resentment: the people owed forgiveness are the very ones least likely to feel wronged. It’s a line that exposes how power rewrites emotional reality. If you do the damage, you can afford magnanimity; your conscience gets to cosplay as virtue because you control the narrative, the room, or the consequences.
Signoret, as an actress whose best work often probed desire, complicity, and social hypocrisy, understands the performance embedded in decency. The phrasing is coolly observational, almost bureaucratic: "bore no grudge" sounds like a character report, the kind of sentence a society uses to launder someone’s reputation. The subtext is that he’s not only unrepentant; he’s comfortable. His lack of grievance becomes another form of dominance, a way of implying that the harmed party is petty if they remain angry. He’s already moved on because he never had to pay.
There’s also a gendered and class-coded edge here, consistent with mid-century European cinema’s interest in the polite cruelty of men who treat women, workers, or rivals as collateral. The line doesn’t ask you to admire his equanimity; it asks you to notice the narcissism hiding inside "forgiveness". It lands because it makes a psychological truth sound like a paradox, then lets the audience feel the sting of recognition.
Signoret, as an actress whose best work often probed desire, complicity, and social hypocrisy, understands the performance embedded in decency. The phrasing is coolly observational, almost bureaucratic: "bore no grudge" sounds like a character report, the kind of sentence a society uses to launder someone’s reputation. The subtext is that he’s not only unrepentant; he’s comfortable. His lack of grievance becomes another form of dominance, a way of implying that the harmed party is petty if they remain angry. He’s already moved on because he never had to pay.
There’s also a gendered and class-coded edge here, consistent with mid-century European cinema’s interest in the polite cruelty of men who treat women, workers, or rivals as collateral. The line doesn’t ask you to admire his equanimity; it asks you to notice the narcissism hiding inside "forgiveness". It lands because it makes a psychological truth sound like a paradox, then lets the audience feel the sting of recognition.
Quote Details
| Topic | Forgiveness |
|---|---|
| Source | Help us find the source |
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