"He brought imagination to the story of the Creation"
About this Quote
The intent is admiration, but it’s also a quiet rebuke to literalism. Keitel isn’t praising doctrinal accuracy; he’s praising imaginative access. “The Creation” is capitalized like an institution, fixed and canonical, yet the sentence insists that canon still depends on interpretation to stay alive. The subtext is that faith and art share a problem: repetition kills awe. Imagination restores it.
Contextually, Keitel’s world is cinema, where “creation” is both theological language and job description. Actors “create” people out of gesture and breath; directors “create” worlds by framing them. So the line double-exposes: it honors someone who approached the primal myth as a living narrative, not a museum piece, and it flatters the artistic impulse itself as a kind of secular divinity. In an era allergic to grand narratives but hungry for meaning, Keitel’s phrasing offers a compromise: you don’t have to believe the story literally to recognize the power of someone who can make it feel true again.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Keitel, Harvey. (2026, January 17). He brought imagination to the story of the Creation. FixQuotes. https://fixquotes.com/quotes/he-brought-imagination-to-the-story-of-the-54346/
Chicago Style
Keitel, Harvey. "He brought imagination to the story of the Creation." FixQuotes. January 17, 2026. https://fixquotes.com/quotes/he-brought-imagination-to-the-story-of-the-54346/.
MLA Style (9th ed.)
"He brought imagination to the story of the Creation." FixQuotes, 17 Jan. 2026, https://fixquotes.com/quotes/he-brought-imagination-to-the-story-of-the-54346/. Accessed 7 Feb. 2026.












