"He did not arrive at this conclusion by the decent process of quiet, logical deduction, nor yet by the blinding flash of glorious intuition, but by the shoddy, untidy process halfway between the two by which one usually gets to know things"
About this Quote
Allingham skewers the mythology of how we think. She sets up two respectable routes to truth - the "decent process" of logic and the romantic "flash" of intuition - then refuses both, planting her character in the messy middle where most real knowledge actually lives. The joke lands because it punctures a cultural vanity: we like our conclusions to look earned (deduced) or gifted (inspired). Allingham insists they are usually assembled: part observation, part hunch, part accident, part bias, with the seams showing.
The sentence is engineered like a detective plot. It dangles a binary, then reveals a third option that feels almost embarrassing in its accuracy. Words like "shoddy" and "untidy" carry moral charge; they imply not just imperfection but a kind of intellectual sloppiness. Yet the final clause - "by which one usually gets to know things" - turns that scolding into an admission. The shabby method is not an exception; it is the norm, the human condition.
As a crime writer, Allingham is also defending her genre's realism. Detection in fiction is often sold as pure rationality, the Holmesian fantasy of immaculate inference. Allingham quietly corrects it: the work is improvisational, social, contingent. Clues don't line up; people don't reason cleanly; understanding arrives through half-thoughts and crosshatched impressions. The intent isn't to celebrate muddle for its own sake, but to name the actual process we prefer to disguise - and to let readers feel, with a sting of recognition, that their own "knowing" is built the same way.
The sentence is engineered like a detective plot. It dangles a binary, then reveals a third option that feels almost embarrassing in its accuracy. Words like "shoddy" and "untidy" carry moral charge; they imply not just imperfection but a kind of intellectual sloppiness. Yet the final clause - "by which one usually gets to know things" - turns that scolding into an admission. The shabby method is not an exception; it is the norm, the human condition.
As a crime writer, Allingham is also defending her genre's realism. Detection in fiction is often sold as pure rationality, the Holmesian fantasy of immaculate inference. Allingham quietly corrects it: the work is improvisational, social, contingent. Clues don't line up; people don't reason cleanly; understanding arrives through half-thoughts and crosshatched impressions. The intent isn't to celebrate muddle for its own sake, but to name the actual process we prefer to disguise - and to let readers feel, with a sting of recognition, that their own "knowing" is built the same way.
Quote Details
| Topic | Reason & Logic |
|---|---|
| Source | Help us find the source |
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